[{"_id":"project-settings","settings":{"translateMetaTags":true,"translateAriaLabels":true,"translateTitle":false,"showWidget":false,"customWidget":{"theme":"dark","font":"rgb(255,255,255)","header":"rgb(0,0,0)","background":"rgba(0,0,0,0.8)","position":"right","positionVertical":"bottom","border":"","borderRequired":false,"widgetCompact":true},"widgetLanguages":[],"activeLanguages":{"es":"Español","zh":"中文(简体)","en":"English"},"enabledLanguages":["en","es","zh"],"debugInfo":false,"displayBranding":true,"displayBrandingName":false,"localizeImages":false,"localizeImagesLimit":true,"localizeAudio":false,"localizeAudioLimit":true,"localizeDates":false,"disabledPages":[],"regexPhrases":[],"allowComplexCssSelectors":false,"blockedClasses":false,"blockedIds":false,"phraseDetection":true,"customDomainSettings":[],"seoSetting":[],"translateSource":false,"overage":false,"detectPhraseFromAllLanguage":false,"googleAnalytics":false,"mixpanel":false,"heap":false,"blockedComplexSelectors":[]},"version":17948},{"_id":"en","source":"en","pluralFn":"return n != 1 ? 1 : 0;","pluralForm":2,"dictionary":{},"version":17948},{"_id":"outdated","outdated":{"#Tarica Leskiw, AIA, CBT Architects -":1,"#Andrew Kollar, AIA, Fused Studios -":1,"#Ken Lambert":1,"#Brian E. Trimble":1,"#Vital Albuquerque AIA":1,"#My work is influenced by nature, decay, and renewal. Content may allude to water, plants, environment, female form, and psychology. Concerns often refer to nature and water, critical stimuli in which I’ve been immersed since childhood as often as possible. Related imagery of Earth Goddess mythology and the female form are also evident in some of my work.":1,"#The work is based in photography and painting/mixed media. I utilize traditional and non-traditional processes, materials, and tools, which I find irresistible.":1,"#<em ljsid-0=\"\">Industry of Nature: Industrial Arts</em>, 2018, Archival ink print, $685":1,"#As a complement to the discussion our speaker will provide a list of resources and links for your use.":1,"#But when is it appropriate to enclose and heat masonry construction? How do you achieve full mortar joints? Are mortar admixtures allowed for construction during extreme temperatures? Does mortar dry out in hot weather and how fast?":1,"#8:30 AM to 10:00 AM: Hot and Cold—All-Weather Masonry ConstructionGuest Speakers:":1,"#These questions and more are covered in this program discussing typical masonry construction procedures with an emphasis on cold and hot weather conditions and how to deal with any problems if they arise. Brian will discuss how to interpret and correctly apply the code provisions for successful cold and hot weather construction. Brian includes discussion of innovative techniques used by contractors to mitigate the effects of cold and hot weather.":1,"#, CSI, Mass Const. Supervisor (CLS) International Masonry Institute, Director, Industry Development and Technical Services":1,"#, PE, LEED AP, International Masonry Institute, Director, Industry Development and Technical Services":1,"#Drake Jacobs, AIA, Group One Partners -":1,"#Successfully designing with masonry demands thorough knowledge and understanding of masonry construction requirements, including the nuances and techniques of how to construct masonry properly. Masonry construction also requires skilled craftworkers to build your amazing masonry structures.":1,"#Image courtesy of Historic New England, photography by Justin Goodstein.":1,"#Haymarket, Boston’s centuries-old open-air market, has weathered economic downturns, the advent of the supermarket, and massive construction projects from the Central Artery to the Big Dig. The market is a reflection of the city’s changing population, and today includes Halal butchers, artisanal cheesemongers, Cambodian fruit sellers, and workers from South America and Asia.":1,"#In association with <a ljsid-1=\"\">Historic New England</a>, the Haymarket Pushcart Association (HPA), and photographer Justin H. Goodstein.":1,"#<em ljsid-0=\"\">Haymarket, The Soul of the City</em> presents images by photographer Justin H. Goodstein, as well as videos featuring the sights, sounds, and voices of Haymarket that reflect the stories of long-time vendors and more recent immigrants who have created a diverse cross-section of cultures at the site. Interviews conducted by Historic New England’s Ken Turino document the market’s history, special holiday foods, and specific challenges facing the market today.":1,"#<span ljsid-1=\"\">Sep 15, 2016</span> – <span ljsid-3=\"\">Oct 30, 2016</span>":1,"#Don't miss the <a ljsid-1=\"\">opening reception</a> for <em ljsid-3=\"\">Haymarket: The Soul of the City</em> on Wednesday, September 21, 2016 at 6:00 pm. This special event is the first opportunity to view the exhibition while enjoying complimentary drinks.":1,"#Robert Brown AIA":1,"#Ponnapa Prakkamakul":1,"#Andrea Panizzo":1,"#Junko Yamamoto, AIA, LEED AP, Payette":1,"#Tina Binazir, Takafumi Inoue":1,"#Yuan Zhang, PLA, LEED AP, Payette":1,"#Nawal Benneouala":1,"#Momoyo Kaijima, Atelier BowWow":1,"#Marysol Rivas Brito":1,"#Mac Sarbah":1,"#Naureen Mazumdar":1,"#A post shared by Anna Luciano (@alwaysanna13)":1,"#https://goo.gl/maps/uVoEGZTkCz1QhLhJA":1,"#855 Islington Street":1,"#https://goo.gl/maps/zXRsHXyEdkaa2FY59":1,"#Portsmouth, NH 03801":1,"#186 Pleasant St., Eliot, ME 03903":1,"#855 Islington St. Portsmouth, NH 03801":1,"#Michael Wise":1,"#Candon Michelle Murphy":1,"#Andrew Ellsworth":1,"#Josh Jacobs":1,"#(@ellenzweig.architects) on":1,"#Pierre chatel innocenti 3o r CL Ppu 0 unsplash":1,"#Samuel zeller pbz WS Ula7c U unsplash":1,"#Ricardo gomez angel CS9 H6wa1 T44 unsplash":1,"#Krista Bourque":1,"#Louis Kraft":1,"#Michelle Lamber":1,"#Listings related to <strong ljsid-1=\"\">manager</strong>.":1,"#Search all events for \"ethics committee\"":1,"#Search results for <strong ljsid-1=\"\">ethics committee</strong> in BSA content and upcoming events":1,"#Search all events for \"residential\"":1,"#Search results for <strong ljsid-1=\"\">residential</strong> in BSA content and upcoming events":1,"#Carlo Bernardini 2":1,"#By trade, I am a planner & community engagement specialist. I’ve learned from my work to rely on an instinctive humility. Like a productive public meeting, street photographs are acts of reaction & decisive synthesis.":1,"#, 2018, Digital Print on Moab Somerset Museum Rag, $750":1,"#From the control tower room, the runways look like a playmat and the planes like tin toys—much easier to move around that way. There is so much infrastructure here. Runways, piers, windmills, wastewater treatment plants, barges, planes, trucks, cranes, coastlines… Person included for scale.":1,"#<em ljsid-0=\"\">250’ / 1,396’</em>, 2018, Digital Print on Moab Lasal Exhibition Luster, $350":1,"#Human Scale":1,"#Dusk catches the tram on its way down from its 250’ peak, dazzling & dizzying its 125 passengers. At 1,396’, 432 Park Ave stands proud as the tallest residence in the Western Hemisphere, home to 125 condos. Every 12 floors, a glimpse of the building's 30’ concrete spine, left open to the wind.":1,"#Katie Chu AIA":1,"#6:00 AM – 8:00 AM":1,"#Copley Wolff Design Group, Inc.":1,"#WID Wolff FINAL 3":1,"#WID Wolff FINAL":1,"#WID Wolff FINAL 4":1,"#WID Wolff FINAL 2":1,"#(@davidthegnomie) on":1,"#David the Gnomie":1,"#(@nitscheng) on":1,"#8:00 AM – 6:00 PM":1,"#i":1,"#Jane Weinzapfel Board 4":1,"#Jane Weinzapfel Board 6":1,"#Jane Weinzapfel Board 2":1,"#Jane Weinzapfel Board 3":1,"#Jane Weinzapfel Board 5":1,"#Jane Weinzapfel Board 1":1,"#(@bsaaia) on":1,"#COTE: Sustainability Rapid-Fire!":1,"#Perkins millennium thumb":1,"#<em ljsid-0=\"\">Little Red Heart: Albuquerque, NM</em>, 2019, Chromogenic print, $180":1,"#I have approached composition with an abstract painter’s eye, looking for variety in shape, texture, and color. In particular, this series is influenced by the work of Richard Diebenkorn, Henri Matisse, and Mark Rothko.":1,"#I explore the imperfections and irregularities in architecture as a metaphor for the life-defining experiences people go through, and the scars and impressions left behind. I first came to this aesthetic from studying Hyperart Thomasson, a type of conceptual art that focuses on “accidental artworks.”":1,"#If any questions, please contact the BSA Codes Committee co-chairs:":1,"#(@wba_canstruction) on":1,"#77 Results":1,"#https://fkaustralia.com/":1,"#Christopher DeOrsay":1,"#On Tuesday April 25, the BSA Foundation hosted its second of four community conversations focused on enhancing the Emerald Necklace and Columbia Road corridor. This event, entitled “Examples from Elsewhere: NYC and Washington DC,” explored lessons learned from similar greenway and placemaking projects elsewhere on the East Coast. In particular, the conversation took a deep dive into community engagement and storytelling.":1,"#Tunney Lee AIA, 1931-2020":1,"#Hashim 2019 300dpi square Poyraz Tütüncü":1,"#Pretty Cage":1,"#Intro to Next Event":1,"#Elvis Garcia":1,"#Voice Exchange - Design Solutions and Challenges":1,"#(tentatively in May 2020)":1,"#APR 2020 gpn poster color":1,"#COVID-19 is not the first nor the last pandemic we face. Besides the ongoing responsive actions, how do we frame our thinking when design meets diseases?":1,"#Event Moderators (Global Practice Network co-chairs)":1,"#Wrap-up Discussion":1,"#By Elvis Garcia, DrPH, MEng, March. Lecturer at GSD":1,"#A panel of designers with different cultural backgrounds will share their thoughts and observations, as well as initiatives in which they are involved.":1,"#Talk - Could design be the missing link to deal with epidemics?":1,"#Andrea Panizzo, ARB, RIBA, Co-Founder of EVA Studio":1,"#A starting point could be looking at the current pandemic from different perspectives of time, scale and geography. With the hope of building a more holistic picture in our minds that will guide us through the crises now and in the future, we would like to bring our talented fellow designers together and talk!":1,"#Program List":1,"#Adaptive reuse of buildings does not eliminate the waste stream, but it does start to change the paradigm with recognition that buildings are resources and that building materials have value. A new term, “urban mining,” is beginning to be used to describe the repurposing of building materials as an alternative to recycling or pure demolition and addition to landfills. Urban mining focuses on component reuse. Reusing a prefabricated concrete panel almost eliminates its global warming impact compared with using a new panel, and it’s even better than recycling the same panel, a process that requires substantially more energy.":1,"#The reason for a building’s demolition is rarely its deterioration. Changing cultural expectations — more space and a different type of space — and economic conditions regarding land use are more likely the primary drivers. Demolition is most prevalent in urban areas where increasing population and economic incentives make the replacement of smaller, existing buildings with new, larger buildings advantageous financially. In Japan, the typical life span of office buildings is between 23 and 41 years, and the average life cycle of wooden residential houses is 14 to 17 years. A large study of residential buildings in the United Kingdom found 46 percent of demolished structures fell in the 11- to 32-year range. The story is hardly better in the United States: The Brookings Institution projects that some 82 billion square feet of existing buildings will be demolished and replaced before 2030 — roughly one-quarter of today’s existing building stock.":1,"#Short-lived architecture is the new norm, but it has a serious downside. The environmental impacts from material consumption and the waste associated with a building’s construction and demolition are an increasing cause for concern, and with good reason: The short service life of buildings is a major contributor to global warming.":1,"#Images: Details of a ghost building in Chicago, 2013.":1,"#Urban mining repurposes a building’s layers for longer life":1,"#temporary use that over time can add up to quite a long service life. If we design thoughtfully and intentionally, we can bequeath a flexible, adaptable built world — a true gift to future generations.":1,"#Humans are consuming resources and producing waste at a greater scale than ever before, and per capita consumption levels are projected to increase with continued development. The building sector, according to the United Nations, is responsible for one-third of all material consumption and waste in the world. Can we, if environmental stewards, afford to build and rebuild our cities and buildings? And if buildings are to be temporary, used for only decades instead of centuries, should we, can we, build in a completely different way?":1,"#<strong ljsid-0=\"\">Let’s face it:</strong> all human-built objects are temporary. Our buildings, our roads, our infrastructure will be on this planet for only a limited period of time. Still, that period has a wide range. The Grand Bazaar in Istanbul has been used and useful for close to 600 years. The big box store on the strip outside any American city is likely to be used for less than 20 years, which, in the scheme of things, is very temporary indeed.":1,"#documents. Buildings designed for deconstruction will have mechanical, electrical, and plumbing systems that are easy to disentangle. They will avoid binders, adhesives, and coatings that preclude separation and reuse of materials. Attachment systems will be reversible, unlike the nailing and drilling that currently may render materials unreusable or unrecyclable. The website of the US Environmental Protection Agency provides guidance on how to design for deconstruction, actual deconstruction case studies, and resources available in different communities. For the good to the environment, we should be using buildings for as long as possible, and temporary architecture runs counter to this need. But urban mining offers a way to use and use again the component parts of a building — a kind of":1,"#Ideally, we would use an object for as long as possible. But a building is constructed in sections, and its component parts can still have long lives even if the overall structure is damaged or destroyed. The best way to make new buildings reusable is to provide a robust structural system with a column grid and generous floor-to-floor dimensions. This allows for any perceived use that might arise in the future. In Stewart Brand’s seminal book,":1,"#How Buildings Learn,":1,"#Photo: Tim Jarosz":1,"#serial":1,"#<strong ljsid-0=\"\">Jean Carroon FAIA</strong> is a principal at Goody Clancy, a Boston-based design firm committed to building social, economic, and environmental value through a diverse practice that embraces architecture, planning, and preservation. The author of <em ljsid-2=\"\">Sustainable Preservation: Greening Existing Buildings,</em> her work focuses on the creative reuse of existing buildings to shape a healthy and resilient world.":1,"#he describes buildings with layers, from the interior walls and ceilings to hidden building systems and exterior cladding. Each layer has a unique service life, but the most durable is the structural system. Brand’s concept of “Long-life, loose-fit” can apply to the most mundane of buildings, such as the many 19th-century mill buildings turned into housing or the transformation, in London, of the Bankside Power Station into the Tate Modern art museum.":1,"#He was a partner in the well-known Boston architectural firm of Payette with extensive work in the health care sector including University Hospital in Cleveland, Berlin, NH, Aga Khan University Hospital in Karachi, Pakistan, and other hospitals and educational buildings. Funeral services and interment will be private.":1,"#John Paul Ruffing AIA Emeritus, a native of the Marywood community south of Bellevue and a longtime resident of the Boston, Mass., area, died March 31, 2017.":1,"#He was currently a citizen of Lexington, Mass., and had lived in the Boston area since the late 1950s.":1,"#John attended Brunnerdale Minor Seminary in Canton, Ohio, and St. Joseph College in Collegeville, Ind., while discerning a vocation to the priesthood. With the advice of his spiritual director he determined his vocation was not to the priesthood and his long and happy marriage showed that this was true. In addition, he attended Notre Dame University and University of Cincinnati for a short time before earning a bachelor’s degree in architecture from Western Reserve University in Cleveland and a master’s degree in architecture from the Massachusetts Institute of Technology. As the top student in his graduating class, John was awarded an extensive trip to Europe to study firsthand the history of western architecture. John and Eileen traveled for many weeks in Europe while expecting their second child.":1,"#deconstruction":1,"#: Anne Brockelman AIA":1,"#800px Devens MA 02":1,"#True Colors i Stock 817672962":1,"#True Color i Stock 157477776":1,"#True Colors Greenway Carolyn Lynch Garden 1":1,"#A post shared by":1,"#Curated by Boston's Hashim Sarkis, \"<em ljsid-1=\"\">How will we live together</em>?\" features innovative projects from around the world that use architecture to unite people in an age of widening political divides and growing economic inequalities.":1,"#Alejandra Menchaca":1,"#Abby Gillespie":1,"#<a ljsid-0=\"\">AIA Contract Docs</a> may be purchased online. If you would like to pick up your Contract Docs at the BSA, please purchase before arriving.":1,"#*UPDATE as of November 2020: Office hours have been updated to 10:00 AM through 2:00 PM every Tuesday and Thursday.":1,"#Lynn Wolff had 35 years of experience in planning and design. She specialized in complex urban projects requiring expertise in project management for multidisciplinary teams, multiple clients and extensive cultural, historical, public art and public participation components.":1,"#mem·o·ra·ble /ˈmem(ə)rəb(ə)l/ adjective Worth remembering or easily remembered, especially because of being special or unusual.":1,"#Lynn also served professional and civic organizations through the course of her career including terms as President and Trustee of the Boston Society of Landscape Architects; Commissioner on the Boston Civic Design Commission; Fellow of the American Society of Landscape Architects, President of the Hubbard Educational Trust; and Board Member for Preservation Massachusetts.":1,"#Lynn was a strong advocate for accessible open space in the public realm. Her designs reflect the diversity and cultural richness of their surroundings while also balancing the use of space with the diverse needs of communities in which they are located. Her thoughtful approach to landscape design focused on the importance of community, accessibility, and bringing people together. She understood that landscape architecture is not just about beautification, but it’s about forming a space, initiating a lifestyle, and creating a new public realm.":1,"#Lynn is remembered for her ideas and her inspiration. She led by example through her positive attitude, sunny demeanor, good humor, and overwhelming generosity.":1,"#In addition, Lynn contributed her time and expertise to various regional, national, and international organizations such as the Women’s Lunch Place, a daytime refuge in Boston; a Teaching Hospital in Mirebelais, Haiti; and the Fletcher Allen Hospital in Vermont. Lynn’s impact on these organizations and the communities they serve is still evident, with the recent dedication of a new herb Garden in her memory at the Women’s Lunch Place.":1,"#Search all events for \"members\"":1,"#Search results for <strong ljsid-1=\"\">members</strong> in BSA content and upcoming events":1,"#Finance and Operations Network: How do you budget?":1,"#Dave Hampton, Jr. /":1,"#regroundllc@gmail.com":1,"#director of Environmental Codes & Standards,":1,"#Interior products impact occupant health; they also impact embodied carbon. Learn about tools and methods that support the selection of low carbon products in interiors work.":1,"#founder and CEO,":1,"#purohit@cbtarchitects.com":1,"#Geoffroy hauwen 448435 unsplash":1,"#Wernick header3":1,"#Apr 26, 2017":1,"#71 Results":1,"#5648321 orig 1":1,"#Intersections; hybrid workflows between traditional woodworking and digital tools.":1,"#The Woodworks in the Button Factory":1,"#George Beland Furniture":1,"#George Beland is a furniture designer and maker who also collects and restores vintage and used woodworking tools. George’s shop also includes a rebuilt 5’ x 10’ CNC router that he has incorporated into his furniture making and wood manufacturing projects. George’s latest machine tool project is the replacement of the existing motion controller on a second used 5’ x 10’ CNC router with the Dynomotion Kflop CNC controller. The replacement of the motion controller is a DIY approach to the rehabilitation of used CNC equipment which frees the DIY owner of CNC machine tools from seeking expensive technical support for proprietary motion controller hardware and software.":1,"#Michael Wise is a North Bennet Street School alumni and resident woodworker at The Woodworks, a wood working co-op located in the Button Factory. Michael collects and restores vintage and used woodworking lathes. He also uses Rhino 3D to draw and model the turning patterns that he uses on his large format hydraulic lathe.":1,"#Join MKR/MGR for a field trip to the woodworking studios of George Beland Furniture in Eliot, ME and then on to the wood turning studio of Michael Wise at the Button Factory in Portsmouth, NH on Saturday, August 17th. Continuing the Lost and Found discussion that was started at our Northeastern MKR/MGR meetup, this field trip will further the inquiry into potential and latent intersections that exist between traditional and digital methods of making.":1,"#In 2011, Danny Clarke brought his rebuilt 5’ x 10’ CNC router into the Button Factory. Between 2011 and 2014, he worked on numerous projects with many of the resident woodworkers at the Button Factory, strategically complimenting traditional woodworking projects with 3D modeling and CNC routing services.":1,"#Danny Clarke, MKR/MGR member and field trip host:":1,"#WiD Storytelling for Design: Origin Stories":1,"#(Virtual) Finance & Operations Network: CARES Act Discussion":1,"#106 Results":1,"#8th Gingerbread Design Competition Reception":1,"#Cures for an ailing world (Part 4 of 5)":1,"#<strong ljsid-0=\"\">People sometimes ask me why, </strong>as a practicing pediatrician, I care so much about housing.":1,"#Race Arch logo2":1,"#David Stern AIA":1,"#Shea_Board-One_0":1,"#Black Shed Seoul 1":1,"#Operatic 48286658222 3f524dd225 o":1,"#<em ljsid-0=\"\">Powder Tower #1, Staré Mesto, Prague, Czech Republic</em>, 2006, Analog c-print from color negative, $650.00":1,"#Samuel zeller 118922 unsplash":1,"#For more information on the E+ Green Bulding Program go to <a ljsid-1=\"\">epositiveboston.org</a>.":1,"#This exhibition will temporarily be down from November 26 through December 3.":1,"#The initiative continues Boston’s efforts to promote sustainable development and green buildings throughout the City. With the support of NSTAR Electric and National Grid and in partnership with the US Green Building Council, the USGBC Massachusetts Chapter, BSA Space, and the Boston Architectural College, this initiative is challenging leading architects, engineers, developers, and builders to respond to global climate change and envision a truly sustainable future.":1,"#Finished 152-165 Highland Street, Energy Positive LEED Platinum certified homes.":1,"#Image courtesy the City of Boston.":1,"#View an exhibition on view in the BSA Space Salt Gallery through November 18, 2018, of the winning projects' innovative E+ (energy, environment, and equity positive) proposals for the city-owned Highland and Marcella Streets sites in the Highland Park, Roxbury neighborhood. As evidenced by their vision, creativity, and ingenuity, each and every team is a leader in green building design, engineering, and sustainable development.":1,"#<span ljsid-1=\"\">Oct 29, 2018</span> – <span ljsid-3=\"\">Dec 09, 2018</span>":1,"#The E+ Program is an initiative of the Boston Environment Department, the Department of Neighborhood Development and the Boston Redevelopment Authority.":1,"#Boston, a national leader in green building, is promoting the next generation of high performance deep green buildings. The E+ Green Building Program will demonstrate the feasibility of regenerative multi-unit residential buildings and bring energy and environmentally positive homes to Boston’s neighborhoods. These proposal submissions show that regenerative buildings are achievable and not beholden to a particular esthetic.":1,"#Pablo hermoso m3 Tj YM4u INU unsplash":1,"#BSAinstall_009":1,"#@wickedcuteworld":1,"#The reCAPTCHA challenge was failed. Please try again.":1,"#CSS Board 4":1,"#CSS Board 2":1,"#Image: The cafeteria/commons in Excel Academy in East Boston.":1,"#The first two motivated me to found Studio G Architects. The latter has been a delightful outcome. Studio G staff are at the center of the board because we work collaboratively both internally and with others.":1,"#\"I am inspired by engaging people in the process of shaping our built environment and the ‘aha moment’ when they understand how it shapes us. I love to hear the often surprising visions people contribute.\"":1,"#Educate, Engage, Transform":1,"#Image: The commons of Sturgis High School, an International Baccalaureate high school in Hyannis.":1,"#Image: An elementary school art room in Easthampton PK-8.":1,"#Image: Three-tiered bunks at Y2Y Harvard Square, a shelter and services program for youth at risk of homelessness in Cambridge.":1,"#Image: Energy positive affordable housing in Roxbury.":1,"#Three foundational principals drive my approach to design: to utilize design to serve the public interest and advocate for those under-served by development; to protect our blue-green planet and connect people in a joyful way to their natural and built environment; to mentor younger design professionals committed to social and environmental sustainability.":1,"#Founder + Managing Principal, Studio G Architects":1,"#Each project is mission-driven, research-based, sustainable. Each strives to build sustainable community.":1,"#We engage people in collaborative processes, driving toward a shared vision and synthesizing many perspectives into a single rich and layered vision. We strive to transform lives in the types of projects we design.":1,"#We believe that architecture has the potential to educate, engage, and transform. We educate through our process, and in the experiences activated by our spaces.":1,"#Image: Boston Prep Middle/High School in Hyde Park. 270 Centre, sustainable affordable housing and retail in Jamaica Plain.":1,"#Architects' voices are needed on task forces, design review boards, and other advisory groups or commissions. Design matters. You can use your unique skills to make a difference today.":1,"#10:00 AM - 5:00 PM":1,"#Jason Weeks":1,"#Rosalyn Elder AIA, LEED AP":1,"#Stefanie Greenfield AIA,":1,"#Luke Niezelski":1,"#While walking along unfamiliar streets, paths, and hallways I make photographs that communicate a sense of place through architectural and other distinctive regional details. I document typically overlooked surfaces, long-exposed to time and use to show evidence of a changing, aging world. Light and shadow further accentuate these aspects.":1,"#I was enamored with the juxtaposition of the ugly “modern” colorless electrical and phone box against the beautiful old stained glass. The light raking across the wall accentuated ancient carved graffiti as well as necessary conduit since the wiring can’t be hidden within solid stone walls.":1,"#Drydock4_original":1,"#Artist S":1,"#MG2":1,"#Doors Unhinged":1,"#UL Environment & Sustainability":1,"#Biennial_banner":1,"#2.-SAMA-MOSAICS_BSA-Banner":1,"#Due to rising concerns about the coronavirus/COVID-19 outbreak, we will be canceling this event until further notice.":1,"#ARE Success Team Kickoff":1,"#<strong ljsid-1=\"\">Leap</strong> year":1,"#Chris will be covering several topics focused on presenting projects in virtual meetings using ArchiCAD, BIMx, Twinmotion and Google Earth. He will also take us through his detailing and modeling of historic details in ArchiCAD including compound miters, rake returns and ganged windows. \"Elevations that emulate the work of great draftsmen of the past.\"":1,"#from Campbell Smith Architects, a Duxbury (Massachusetts) based architecture firm specializing in residential, commercial and historical projects.":1,"#Join us for a lunchtime discussion with":1,"#ARCHICAD 24 Signature building Credits: MERDEKA 118 | FENDER KATSALIDIS | <a ljsid-1=\"\">fkaustralia.com</a> Bottom Images: Campbell Smith Architects | Private Residence | <a ljsid-3=\"\">campbellsmitharchitects.com</a>":1,"#July 2020 ARCHICAD":1,"#User Groups are a place to meet, exchange ideas, ask questions, and share accomplishments with other professionals in our industry. We share tips-and-tricks and provide the opportunity to network with other ARCHICAD users.":1,"#Additionally, we will be covering some of the new features of Archicad 24 and our other products and services.":1,"#Memento mori":1,"#, 1996. Inkjet print.":1,"#Olivia Parker,":1,"#Frans Francken II":1,"#Mike Davis FAIA":1,"#Mar 21, 2019":1,"#Search all events for \"Awards\"":1,"#Search results for <strong ljsid-1=\"\">Awards</strong> in BSA content and upcoming events":1,"#Panoramic-view_-Autodesk-BUILD-Space":1,"#Oct 30, 2019":1,"#The BSA gives architects, including myself, a chance to pursue issues of community and leadership that we might not otherwise have. For me, in 1993, sustainability was a relatively new concept. People were trying to define the word, as I remember, let alone know how to implement green thinking. Learning how to sustain so many people on our finite planet was/is an opportunity for leadership by architects, and my goal for being BSA president for the year. Our many subsequent BSA charrettes have been a successful vehicle for helping educate and lead communities into making sustainability a design imperative.":1,"#by Elizabeth Ericson":1,"#Elizabeth \"Zibby\" Ericson FAIA, 1993 BSA president":1,"#President Bill Clinton was closing military bases as part of his budget-cutting strategy. Fort Devens in Massachusetts was one of the bases to be closed, and the four surrounding towns were devastated: What to do with 9,000 acres? The towns approached the BSA for help in masterplanning ideas for the base. As BSA president at the time, together with the Committee for Social Responsibility, I committed us to lead in creating what was then one of the earliest and biggest charrettes at the time. It was such a new activity that we discussed at great length how to spell the word (with one “r” or two?), let alone how to organize such an important community event. BSA executive director Richard Fitzgerald’s unflagging support was crucial to our success.":1},"version":17948}]