[{"_id":"project-settings","settings":{"translateMetaTags":true,"translateAriaLabels":true,"translateTitle":true,"showWidget":true,"customWidget":{"theme":"dark","font":"rgb(255,255,255)","header":"rgb(0,0,0)","background":"rgba(0,0,0,0.8)","position":"right","positionVertical":"bottom","border":"","borderRequired":false,"widgetCompact":true},"widgetLanguages":[],"activeLanguages":{"es-LA":"Español (América Latina)","en":"English"},"enabledLanguages":["en","es-LA"],"debugInfo":false,"displayBranding":false,"displayBrandingName":true,"localizeImages":false,"localizeImagesLimit":false,"localizeAudio":false,"localizeAudioLimit":false,"localizeDates":false,"disabledPages":[],"regexPhrases":[],"allowComplexCssSelectors":false,"blockedClasses":false,"blockedIds":false,"phraseDetection":true,"customDomainSettings":[],"seoSetting":[],"translateSource":false,"overage":false,"detectPhraseFromAllLanguage":false,"googleAnalytics":false,"mixpanel":false,"heap":false,"blockedComplexSelectors":[]},"version":75155},{"_id":"en","source":"en","pluralFn":"return n != 1 ? 1 : 0;","pluralForm":2,"dictionary":{},"version":75155},{"_id":"outdated","outdated":{"#2:00PM - 3:00PM (-03)<span ljsid-6=\"\">This event has ended.</span>":1,"#MÁS INFORMACIÓN":1,"#Welcome back Carlos Villegas":1,"#9:00PM - 10:00PM (+04)":1,"#26:15-36:33: Ludology vs Narratology":1,"#2:37:42-2:41:09: Wrap up and final announcements":1,"#2:16:18-2:37:42: Q&A Break 3":1,"#03:50-7:04: Introduction and overview from Jonathan":1,"#36:33-48:30: Q&A Break 1":1,"#1:33:34-1:48:10: Q&A Break 2":1,"#10:03-16:20: Types of Nonlinear Story":1,"#1:08:34-1:12:40: Livestream debrief":1,"#24:55-26:16: Environmental Storytelling":1,"#1:12:40-1:33:34 Introduction to Ludonarrative, Dissonance and Harmony":1,"#48:30-1:07:48: Livestream of Bioshock (CONTENT WARNING: Violence and disturbing imagery)":1,"#Please find a list of resources here.":1,"#16:20-21:30: Structure in Nonlinear Story":1,"#1:48:10-2:16:18: The Business of Writing Games":1,"#21:30-24:55: The various writing roles in games":1,"#07:04 -10:03: Introduction to Nonlinear Storytelling":1,"#00:00-03:50: Welcome and introduction from Sundance Collab":1,"#In this article, we'll explore the day rates for film crew 2022 as set by the film crew unions, the tier system that establishes their minimum pay, and the difference between production and non-production cities.":1,"#JFS":1,"#1:00AM - 2:00AM (+04)":1,"#Conversations from the Sundance Labs | Ryan Coogler, Ludwig Göransson, and Stephen Boeddeker on Creating the Soundscape for BLACK PANTHER":1,"#Conversations from the Sundance Labs | Musical Imagination in Film with Composer Christopher Willis (THE DEATH OF STALIN)":1,"#Conversations from the Sundance Labs | The Art of TV & Film Scoring with Composer Blake Neely (GREYHOUND)":1,"#Discover the vital role sound design, score, color, and cinematography play in the craft of immersive storytelling in film.":1,"#Conversations from the Sundance Labs | Music in Nonfiction Film with Thomas Allen Harris (THAT'S MY FACE) and Miriam Cutler (RBG)":1,"#Dolby Image and Sound Center":1,"#Conversations from the Sundance Labs | Composer Kathryn Bostic (CLEMENCY) on Film Music":1,"#6:00PM - 7:30PM (-05)":1,"#11:00AM - 12:00PM (MDT)":1,"#Sundance Institute & Women in Film Reframe Initiative":1,"#Your purchase has been successfully processed.":1,"#Master Class: How Games Tell Stories with Nick Fortugno (CCO of Playmatics)":1,"#Conversations from the Sundance Labs | Stephen Goldblatt (CONSPIRACY) on Cinematography":1,"#Telling Your Story with Sound: A Conversation with Alma Har’el and Benh Zeitlin | Presented by the Dolby Institute":1,"#The Role of a Music Supervisor with John Houlihan (BOHEMIAN RHAPSODY)":1,"#Amplifying Story Through Music with Jodie Foster (HOUSE OF CARDS), Mark Isham (CRASH), and Tom Carlson (LITTLE MAN TATE)":1,"#Nora Kroll-Rosenbaum (STOCKHOLM PENNSYLVANIA) on Composing for Film":1,"#How to create a mood and finesse the tone of your story":1,"#How to build your story world":1,"#an interest in horror screenwriting. Creators at any level of experience are welcome to apply. (You do not need to have a screenplay or active project to participate.)":1,"#How to elevate the genre through character":1,"#highlight successful screenplays in a variety of horror genres, illustrating how they move from script to screen, with opportunities to pose questions to the instructor in an open forum. Interaction with the instructor will take place only in the classroom.":1,"#How to craft a suspenseful sequence":1,"#An overview of the horror genre":1,"#You have an idea for a killer horror screenplay, but now you want an expert in the genre to help you get to the next level of writing. In this four-week online course, you will study the art of the thrill and how to develop memorable characters, build tension and make a horror story your own.":1,"#Film Distribution Survival Guide (How To Actually Make Money)":1,"#Most filmmakers have no idea what to do when they get into distribution of their film. For this reason I put together this Film Distribution Survival Guide to help guide you through these uncharted waters.":1,"#Legal Advice for Indie Filmmakers":1,"#Carlos Villegas":1,"#5:00PM - 6:30PM (CST)":1,"#Advisor Studio: Sheldon Candis (LUV) on Finding Your Voice and Visual Style":1,"#Conversations from the Sundance Film Festival | Creating Cinematic Story through Music & Ambiance with Saul Williams (NEPTUNE FROST) & more":1,"#Four producers weigh in on the pros and cons, and adjusting to the new landscape in the Streaming Age":1,"#Apply for use of the Producers Mark (“p.g.a.”) on your motion picture, or to include your motion picture or television production on the Producers Guild Awards ballot.":1,"#Producers Mark Certification and Producers Guild Awards Submission":1,"#Big Screen vs Small Screen":1,"#Building a craft and a career":1,"#Week 4: Living the Horror Life: Craft, Career, and Community":1,"#Film plotting and beat sheets":1,"#Making a monster":1,"#Social justice and horror":1,"#Crafting the perfect logline":1,"#Week 1: Tap the Nightmare: Finding Your Story":1,"#Week 3: Building the Scare and Twisting the Tropes":1,"#Building and breaking your characters":1,"#Week 2: The Architecture of Horror: Plot, Character, World":1,"#Crafting terrors: what you show and what you don’t":1,"#Lynn Shelton \"Of a Certain Age\" Grant":1,"#What to consider before filming":1,"#Berkeley, California, United States":1,"#Sherman Oaks, California, United States":1,"#Writer/Director/Performer":1,"#Producer | Consultant":1,"#Meet the filmmakers who bring their expertise to the Sundance Collab community":1,"#Arcadia, California, United States":1,"#Filmmaker / Director":1,"#Writer, Director, Instructor":1,"#Director / Editor / Writer":1,"#Filmmaker / Visual Artist":1,"#Los Angeles | London":1,"#Burbank, California, United States":1,"#Filmmaker / Producer / Director":1,"#Uniondale, New York, United States":1,"#London, United Kingdom":1,"#Writer / Director / Actor / Musician":1,"#Writer / Producer / Director":1,"#Entertainment Attorney":1,"#California, United States":1,"#Westport, Connecticut, United States":1,"#Glendale, California, United States":1,"#Rennes, France":1,"#Screenwriter / Playwright / Filmmaker":1,"#Los Angeles, United States":1,"#Winchester, California, United States":1,"#Fairfield, Connecticut, United States":1,"#Conyers, Georgia, United States":1,"#Culver City, California, United States":1,"#van nuys, California, United States":1,"#los Angeles, California, United States":1,"#Director / Screenwriter / Producer":1,"#You struggle through writing your script, drag yourself through production and post, and finally pay your fee and submit. After what feels like an eternity of waiting, you get your ‘Judging Status Has Changed For [insert film that is your baby that you bled, sweat, and cried for]’ email. And often (okay, almost always), it’s a “Thank You for submitting your film. We received many more submissions than we expected and…” well you know how the rest goes.":1,"#7 Lessons I Learned From Film Festival Rejections":1,"#List of independent film distribution companies":1,"#A worldwide look at available film incentive and tax credits.":1,"#Worldwide Film Incentives Map":1,"#A List of Independent Film Distributors":1,"#The Future of Film is Female Short Film Fund":1,"#No Film School recapped the Hollywood Reporter's annual producers roundtable to sum up important tips from some of the industry's leading producers.":1,"#Sarah Moshman":1,"#Zach Gonzalez-Landis":1,"#Jerica Lieberman":1,"#Talya Stern":1,"#Vernon, Canada":1,"#Christina Sibul":1,"#Danielle Therese Dougé":1,"#Diane Becker":1,"#Shane Boris":1,"#John Patton Ford":1,"#Mt. Airy, North Carolina, United States":1,"#John Francis Daley & Jonathan Goldstein":1,"#Maya Cueva":1,"#LaMont Ferrell":1,"#Tom Huang":1,"#Susannah Grant":1,"#Darius Dawson":1,"#Tony Sebastian Ukpo":1,"#los angeles, California, United States":1,"#Ruby Mateo":1,"#Ed Decter":1,"#Michael Cobian":1,"#Newport Coast, California, United States":1,"#Sylvia Sæther":1,"#Liza St. John":1,"#April M. Sánchez":1,"#C.C. Webster":1,"#Brittani Nichols":1,"#Ossining, New York, United States":1,"#Writer / Director / Comedian":1,"#Filmmaker/Writer/Director":1,"#Atit Shah":1,"#recommend reading and viewing, but not require outside class work.":1,"#Using Sound to Craft Meaning with Yance Ford - Sundance Collab":1,"#4 Vital Producing Tips from Ridley Scott, Judd Apatow, Amy Pascal and More":1,"#Tal Lazar":1,"#Patrick Shen":1,"#West Hollywood, California, United States":1,"#Conversations from the Sundance Labs | Conversations With Cinematographers including Robert Elswit (MICHAEL CLAYTON) & more":1,"#BLACK ARTISTS GRANT UK":1,"#Hear from industry professionals in our event recordings. The Sundance Collab Team recommends:":1,"#I AM A DIRECTOR":1,"#I’m looking to finance my project.":1,"#Master Class: Transforming Your Short Film to Your First Feature with Adamma and Adanne Ebo":1,"#Watch a recorded Master Class, our monthly three-hour workshops led by leading filmmakers. The Sundance Collab team recommends:":1,"#I’m looking for discipline, inspiration, and community.":1,"#Watch a recorded Master Class, our monthly three-hour workshops with leading filmmakers. The Sundance Collab Team recommends:":1,"#Browse the <a ljsid-1=\"\">full library of director-focused live event recordings</a>.":1,"#Watch a recorded Master Class, our monthly three-hour workshops with leading filmmakers. The Sundance Collab team recommends:":1,"#<a ljsid-0=\"\">Directing Actors</a> (self-paced course)":1,"#Film Producing: How to Develop, Finance, and Distribute Your Film":1,"#I’m looking for representation and how to navigate the TV and film business.":1,"#Director Jay Roach Breaks Down the Elevator Scene in Bombshell":1,"#Creating MOONLIGHT: A Case Study with Barry Jenkins.":1,"#Check out our <a ljsid-1=\"\">Grants &amp; Opportunities</a> page, a directory of film and media grants, labs, contests and fellowships, updated weekly.":1,"#Browse the <a ljsid-1=\"\">full library of producer-focused Learn Now videos</a>.":1,"#I have a short amount of time and want a quick case study or topline strategies.":1,"#I have a documentary project and I need skills, guidance, and feedback to move it forward.":1,"#Browse the <a ljsid-1=\"\">full library of documentary-focused Learn Now videos</a>.":1,"#Try one of these courses:":1,"#I’m new to producing. I need the basics.":1,"#Master Class: Producing Your Short Film with Andrew Carlberg":1,"#Hear from industry professionals in our live event recordings. The Sundance Collab team recommends:":1,"#Browse the <a ljsid-1=\"\">full library of writer-focused Learn Now videos.</a>":1,"#I’m looking for funding.":1,"#I’m new to directing actors and need to build my skills and confidence.":1,"#I’m looking for inspiration and want to hear from directors who’ve been successful.":1,"#I’m looking for inspiration and want to hear from producers who’ve been successful.":1,"#Getting Started on Sundance Collab":1,"#<a ljsid-0=\"\">Screenwriting: From Outline to First Draft of Your Screenplay</a> (self-paced)":1,"#I’m new to making documentaries. I need the basics.":1,"#You may also want to watch <a ljsid-1=\"\">Master Class: Funding Your Fiction Film</a>":1,"#I have a short amount of time and want a quick case study or practical advice.":1,"#Master Class: Success on Set - the Producer’s Role":1,"#Advisor Studio: How to Create a Pitch Deck with Jess Devaney and Mallory Schwartz":1,"#I AM A SCREENWRITER OR TV WRITER":1,"#Browse the <a ljsid-1=\"\">full library of directing-focused Learn Now videos</a>.":1,"#Challenges for First-Time Directors":1,"#Advisor Studio: The Black List’s Franklin Leonard on Building Your Career as a Screenwriter":1,"#(Don’t see any scheduled sessions for a course? Add your name to our <a ljsid-1=\"\">notification list</a> and we’ll let you know when the next session is posted.)":1,"#Browse the <a ljsid-1=\"\">full library of writer-focused live event recordings</a>.":1,"#Advisor Studio: Screenwriting: How To Introduce Your Protagonist and World Of Your Film With Howard Rodman":1,"#I want to hear from writers who’ve been successful.":1,"#I’m looking for documentary funding.":1,"#An Actor’s Insights for Directors with Jenny Slate":1,"#These resources might help:":1,"#<a ljsid-0=\"\">TV Writing: Core Elements</a> (self-paced)":1,"#<a ljsid-0=\"\">Screenwriting: Core Elements</a> (self-paced)":1,"#Here are some Sundance Collab member favorites:":1,"#I have a project and I need skills, guidance, and feedback to move it forward.":1,"#I AM A PRODUCER":1,"#Advisor Studio: JaNeika & JaSheika James on Breaking in and Sustaining a Successful Career in Television":1,"#Browse the <a ljsid-1=\"\">full library of documentary-focused live event recordings</a>.":1,"#The Sundance Collab team recommends these recordings and courses to get you up to speed:":1,"#Try these courses:":1,"#Master Class: Post-Production - the Producer's Role":1,"#Watch a recorded Master Class, our monthly three-hour workshops led by leading filmmakers. The Sundance Collab Team recommends:":1,"#I have an idea for an in-progress script or series and I need skills, guidance, and feedback to move it forward.":1,"#I’m looking for inspiration and want to hear from documentary filmmakers who’ve succeeded.":1,"#I WORK IN DOCUMENTARY":1,"#You may also want to watch our <a ljsid-1=\"\">Master Class: Funding your Documentary</a>.":1,"#Browse the <a ljsid-1=\"\">full library of producer-focused live event recordings</a>.":1,"#Try these On Demand courses:":1,"#Hear from industry professionals in our event recordings. The Sundance Collab Team recommends":1,"#You can also attend an upcoming <a ljsid-1=\"\">Master Class live</a>! Join to meet other filmmakers and ask your questions.":1,"#Choose your profile to explore resources for you.":1,"#I’m looking for representation and information on how to navigate the business.":1,"#I want in-depth instruction in a particular area of interest.":1,"#Watch our short Learn Now videos. Sundance Collab member favorites:":1,"#Hear from industry professionals in our event recordings. The Sundance Collab team recommends:":1,"#Master Class: Screenwriting with Meg LeFauve (Inside Out, Captain Marvel)":1,"#Screenwriter Liz Hannah on The Post":1,"#I have a short amount of time and want a quick case study or some strategies on structure and character development.":1,"#Jennifer Sharp":1,"#Asher Jelinsky":1,"#Olive Nwosu":1,"#San Francisco, California, United States":1,"#Film Independent Screenwriting Lab":1,"#Advisor Studio: Inside Marvel Studios - A High-Level Perspective with Nate Moore":1,"#Insider Session: Applying to the Sundance Native Lab Fellowship and Graton Collab Artist Opportunities":1,"#Lauren Wells":1,"#Browse the <a ljsid-1=\"\">full library of career and business-focused Learn Now videos</a>.":1,"#Master Class: Building Your Online Presence For Filmmakers with Digital Strategist Ryan Davis":1,"#Watch a recorded Master Class. The Sundance Collab Team recommends:":1,"#Master Class: Finding Your Screenplay’s Story with David Schwab":1,"#Master Class: Filmmaker’s Legal Toolkit: From Protecting IP through Negotiating Distribution":1,"#I NEED TO BUILD MY CAREER AND NAVIGATE THE INDUSTRY":1,"#Spotlight Event: Reinaldo Marcus Green on Directing Films Inspired by True Stories":1,"#Check out our <a ljsid-1=\"\">Grants &amp; Opportunities page</a>, a directory of film and media grants, labs, contests and fellowships, updated weekly.":1,"#I want to build my TV and film career.":1,"#I need help navigating the TV and film industry.":1,"#While a fellowship win is exciting and commendable, screenwriters need to understand that the win isn't an instant ticket to screenwriting success but, rather, an invitation to accrue industry connections, relationships, and experience. How to make the most out of your fellowship.":1,"#5 Things to Fix Right Now to Help Your Filmmaking Career":1,"#The world is full of opportunities, but you have to be prepared to grab them. Unfortunately, I constantly see young filmmakers skipping over the fundamentals, so they end up struggling to make meaningful progress. Here are a few easy things that will help to free your career path from unnecessary obstacles.":1,"#Filmmaker, actor, and writer Cherien Dabis shares how navigating clashing cultures and embracing multiple perspectives expanded her voice and helped grow her career.":1,"#How to Identify Your Filmmaking Voice and Expand Beyond It":1,"#VOD Streaming: What Is It and How Does It Work? (Vimeo Blog)":1,"#Kimberly Barrante":1},"version":75155}]