[{"_id":"project-settings","settings":{"translateMetaTags":true,"translateAriaLabels":true,"translateTitle":true,"showWidget":true,"isFeedbackEnabled":false,"fv":1,"customWidget":{"theme":"custom","font":"rgb(0, 0, 0)","header":"rgb(9, 129, 240)","background":"rgba(9, 129, 240,1)","position":"right","positionVertical":"bottom","border":"rgb(255, 255, 255)","borderRequired":false,"widgetCompact":true,"isWidgetPositionRelative":false},"widgetLanguages":[{"code":"ja","name":"日本語"}],"activeLanguages":{"es-LA":"Español (América Latina)","pt-BR":"Português (Brasil)","ja":"日本語","en":"English"},"enabledLanguages":["en","es-LA","ja","pt-BR"],"debugInfo":false,"displayBranding":true,"displayBrandingName":true,"localizeImages":false,"localizeUrls":false,"localizeImagesLimit":false,"localizeUrlsLimit":true,"localizeAudio":false,"localizeAudioLimit":false,"localizeDates":false,"disabledPages":[],"regexPhrases":[],"allowComplexCssSelectors":false,"blockedClasses":false,"blockedIds":false,"phraseDetection":true,"customDomainSettings":[],"seoSetting":[],"translateSource":false,"overage":false,"detectPhraseFromAllLanguage":false,"googleAnalytics":false,"mixpanel":false,"heap":false,"disableDateLocalization":false,"ignoreCurrencyInTranslation":false,"blockedComplexSelectors":[]},"version":20763},{"_id":"en","source":"en","pluralFn":"return n != 1 ? 1 : 0;","pluralForm":2,"dictionary":{},"version":20763},{"_id":"outdated","outdated":{"#United States":1,"#Start date: <strong ljsid-1=\"\">17 September 2024</strong>":1,"#Start date: <strong ljsid-1=\"\">11 June 2024</strong>":1,"#1 May 2022":1,"#1 Jun 2022":1,"#1 Jul 2022":1,"#Cubase 12 includes a range of new features and workflow enhancing tools such as the FX Modulator, the addition of a 4th mixing console and advanced cross-fade editing to make the recording, mixing and composing process as easy as possible.":1,"#We are proud to share that LISTENTO now supports Cubase 12 and Logic Pro 10.7.3, following our latest software update. Users will now have access to the full range of LISTENTO software that Audiomovers has to offer, including the LISTENTO and LISTENTO receiver plugins and the desktop app.":1,"#Opt-out date: 11 November 2024 08:43:50":1,"#1 Aug 2022":1,"#21 Apr 2023":1,"#19 Jun 2021":1,"#15 Mar 2021":1,"#21 Oct 2022":1,"#15 Apr 2021":1,"#30 Mar 2022":1,"#30 Jul 2022":1,"#3 Jun 2021":1,"#Expiry date: 03/2031":1,"#28 Nov 2023":1,"#24 Sep 2021":1,"#1 Oct 2021":1,"#1 Dec 2021":1,"#11 Jan 2022":1,"#12 Apr 2023":1,"#MacOS 10.15+":1,"#20 Jun 2024":1,"#Expiry date: 10/2027":1,"#21 Nov 2022":1,"#13 Feb 2024":1,"#13 Oct 2023":1,"#License purchased on 16th July 2024":1,"#Start date: <strong ljsid-1=\"\">25 April 2023</strong>":1,"#Site Settings":1,"#Security & Privacy":1,"#Chrome may have the setting \"Sites can play sound\" disabled. To allow sites to play sound, follow the below steps:":1,"#21 May 2023":1,"#21 Feb 2023":1,"#30 Jul 2024":1,"#11 Jan 2024":1,"#Expiry date: 01/2028":1,"#20 Jul 2024":1,"#Your license is activated via your login. Sharing your personal login with others breaks the Audiomovers Terms of Service.":1,"#However, the number of computers you can log in from at the same time is three. This is to help you if you work with multiple machines.":1,"#24 Nov 2021":1,"#11 Jan 2023":1,"#21 Jun 2022":1,"#It offers an intuitive interface and streamlines the audio routing workflow, making it accessible for all users, from beginners and absolute professionals.":1,"#OMNIBUS is a software solution for seamless audio routing within your Mac. It allows you to route between applications and hardware inputs and outputs, split audio from one source to several destinations for easy A/B, combine audio input devices for DAW outputs and quickly sample audio from various sources.":1,"#Why use OMNIBUS with OBS?":1,"#Thanks to our newly updated OMNIBUS tool, it has never been easier to live stream audio from multiple applications using OBS. Below we break down how you can use OMNIBUS in conjunction with OBS when live-streaming sessions to an audience.":1,"#However, setting up your live stream can be a complicated process. Most opt for OBS (Open Broadcaster Software), a free, open-source software for video recording and live streaming.":1,"#Live streaming is an incredible way for artists, producers and engineers to create secondary revenue streams, and establish and nurture their online fan bases. It can also provide them with the opportunity to learn new skills, techniques and workflow hacks.":1,"#Once you’re happy with your setup, you can go back into OMNIBUS and save this routing configuration for later use.":1,"#Before you start streaming, it’s good practice to test out your stream. Simply start recording and pass some audio from your daw and your microphone. Now play this video back and see whether the audio is being recorded.":1,"#7. Now we’ve got our DAW’s audio and mic’s audio we’re now ready to start streaming or screen recording.":1,"#As this is a mono channel, however, you will notice on the input level for our mic in OBS that it is only capturing audio from the left channel. We’ve selected a mono signal and OBS is thinking it’s a stereo input. To amend this, simply navigate to advanced audio properties in your audio capture device for your microphone OBS and navigate to the mic input capture you created and change it from stereo to mono.":1,"#If you have a USB audio microphone such as a Snowball mic, you could select this right here. However, for this example I have a microphone plugged into my audio interface that I wish to use as my commentary microphone. All I need to do is route channel 1 from my audio interface into OMNIBUS C channel 1.":1,"#6. Let’s repeat the same steps as before in OBS and set up an audio capture device but this time, let’s use OMNIBUS C.":1,"#If you’re just starting and don’t have a microphone yet you could always use your computer’s built-in microphone.":1,"#5. Now, let’s set up a microphone to use for our video commentary. As OMNIBUS 2.0 supports hardware inputs, we can utilise any channel from any of our hardware inputs and route them through OMNIBUS to another designated input for OBS. Doing this will allow you to adjust the levels between your microphone and your DAW audio.":1,"#3. In OBS, set up an audio input capture and assign it to one of the OMNIBUS drivers, here we’ve got it set to OMNIBUS A channels 1&2 as we’re only sending our stereo masters output to OBS.":1,"#2. Before moving to OBS, you’ll first need to route your DAW’s audio to your designated monitor output so that you can hear your DAW. Simply drag channels 1 and 2 from OMNIBUS B to your chosen monitor output. In this case, a UAD Apollo interface.":1,"#1. Set your DAW’s playback engine as one of OMNIBUS’ virtual drivers so that your DAW’s output will be travelling through the OMNIBUS application. For this example, we are using OMNIBUS B.":1,"#For this example of using OMNIBUS and OBS, we are using the DAW Logic Pro. The same logic will also apply to your DAW of choice.":1,"#OMNIBUS & OBS in action: How to live stream a music production session":1,"#Let’s see how OMNIBUS makes capturing application audio easy with OBS.":1,"#OMNIBUS has an easy-to-use routing matrix, allowing you to simply click the connections between devices you want to make. It also allows you to save and recall complex routing setups with ‘snapshots’, which you can label for ease of finding in future and also has precise metering and support for hardware inputs and outputs meaning it can adapt to even the most demanding scenarios.":1,"#21 Mar 2023":1,"#21 Jun 2023":1,"#Password must be more than 8 characters long.":1,"#27 Dec 2021":1,"#11 Feb 2024":1,"#7 Oct 2024":1,"#“OMNIBUS makes complex audio routing easy whether you’re an audio professional or enthusiast. Now with OMNIBUS 2.0, there is hardware input support and a new and much-improved user interface for greater flexibility. “":1,"#17 Oct 2024":1,"#14 Nov 2024":1,"#27 Feb 2022":1,"#27 Mar 2022":1,"#27 Apr 2022":1,"#27 May 2022":1,"#27 Jun 2022":1,"#19 Jan 2023":1,"#19 Oct 2024":1,"#19 Jun 2023":1,"#19 Jan 2024":1,"#17 Jul 2024":1,"#Follow the steps below to connect your AirPods as a monitoring source:":1,"#毎週":1,"#It seems that you're using a mobile browser that doesn't support all functions. We recommend using Chrome or Firefox on desktop, for best experience.":1,"#Later on, Jaycen calls up his close friend and mentor, Dave Pensado, to help answer the audience’s technical and philosophical questions. Together they reveal the tools that give them a competitive edge in the industry, and they offer wisdom on how to find your own sound and carve your own path to the top.":1,"#19 Apr 2024":1,"#19 May 2024":1,"#19 Aug 2022":1,"#19 Oct 2022":1,"#19 Feb 2023":1,"#19 Apr 2023":1,"#19 Sep 2023":1,"#19 Nov 2023":1,"#19 Dec 2023":1,"#Bengali - বাংলা":1,"#Yiddish - יידיש":1,"#Esperanto - esperanto":1,"#Download the latest versions below.":1,"#Download the right version of your new product for your machine below.":1,"#Click track:":1,"#17 Sep 2024":1,"#19 Mar 2024":1,"#19 Aug 2024":1,"#19 Jul 2024":1,"#9 Sep 2024":1,"#11 Nov 2021":1,"#19 Sep 2022":1,"#19 May 2023":1,"#Step 1: Start your video call":1,"#Setting up your session":1,"#In order to get the best audio quality possible for your remote sessions, the person transmitting audio will need to have an active LISTENTO license. Don’t fret if you don’t have one, you can grab a free 2-day trial to test this setup and see how it works for you before committing to the paid subscription.":1,"#The LISTENTO plugin (or desktop application)":1,"#The DAW of your choice":1,"#The most up-to-date version of Zoom":1,"#<a ljsid-0=\"\">LISTENTO</a> creates a remote streaming and recording experience that reflects many of the benefits of the in-person studio experience. With LISTENTO you can stream uncompressed, lossless audio in real-time to anyone, anywhere in the world, allowing you to collaborate on projects in real-time, symbiotically prioritizing audio quality and user experience in tandem. It’s easy to use and is compatible with most DAW’s, you can collaborate seamlessly with your team regardless of their location.":1,"#Although Zoom’s High Fidelity Audio feature is useful for remote music collaboration, it does not trump the power, accessibility, and versatility of LISTENTO.":1,"#A stable internet connection":1,"#The High Fidelity Audio feature is particularly useful for remote music collaborations or other situations where high-quality audio is essential. It supports sample rates of up to 48 kHz and a bit depth of up to 96 bits, which allows for high-resolution audio transmission.":1,"#Zoom’s High Fidelity Audio feature is an advanced audio codec that is designed to improve the audio quality of Zoom meetings. This feature uses a new audio codec called Opus, which provides high-quality, low-latency audio for real-time communication.":1,"#What is Zoom’s High Fidelity audio feature? And why should I still opt for LISTENTO?":1,"#Overall, careful consideration of these factors can help ensure that remote music collaborations over Zoom result in high-quality audio output.":1,"#Additionally, the software and equipment used to record and mix the music can also have an impact on the final sound quality. It is essential to ensure that all collaborators are using compatible software and hardware, and that the recording and mixing processes are carried out carefully to produce the best possible sound.":1,"#Secondly, the type and quality of microphones being used by the collaborators can also affect the audio quality. Low-quality microphones may produce muffled or distorted sound, while high-quality microphones can capture the nuances of the music accurately.":1,"#When collaborating on music remotely via Zoom, there are several factors that can affect audio quality. Firstly, the quality of the internet connection can have a significant impact on the clarity and consistency of the audio. Poor internet connection can lead to drop outs, high latency, and other distortions in the sound.":1,"#Factors that affect audio quality when collaborating via Zoom":1,"#LISTENTO streaming links have been heavily tested in multiple web browsers, but we recommend Google Chrome for optimum performance.":1,"#Before you share the link, you’ll likely want to test that it’s working. You can copy the stream link, and test it yourself. Simply hit ‘thru mute’ to mute the audio from the DAW, and test that the stream is audible by pasting the link in your own web browser or mobile app. NB.":1,"#First, let’s ensure you have everything you need for the remote recording session.":1,"#Press “Start Transmission” to begin streaming. You can send your session link to anyone you want to share your stream with.":1,"#4. Getting started and testing your stream":1,"#Set your session name, go with the default, or select a random session name. Bear in mind that if you wish to run multiple sessions and use the same session name, anyone with the link will still be able to listen in to your stream.":1,"#3. Prepare your stream and name it":1,"#Launch the plugin and enter your Audiomovers username/email and password and click ‘login’. Once logged in, the ‘Start Transmission’ button will become available and you can begin streaming your audio.":1,"#Now that you can freely communicate with each other, you can now begin setting up the session within your DAW. Open your DAW of choice and insert an instance of the LISTENTO plugin on the master bus of the project that you are collaborating on.":1,"#Step 2: Setting up your DAW":1,"#Your video call will be your main form of communication during remote sessions. We recommend starting with this step to ensure you can easily communicate with each other during the next steps.":1,"#Audiomovers OMNIBUS 3.0":1,"#Adjust latency from 0.1s and stream bit rate for ultimate stability":1,"#What’s LISTENTO?":1,"#In addition, all existing Pro Tools subscribers will be offered 25% off either a LISTENTO Basic or LISTENTO Pro annual subscription.":1,"#The offer to any new Avid Pro Tools Subscribers is twofold:":1,"#Stream 16-channel multichannel audio, or spatial up to 7.1.4":1,"#Stream audio in real-time from Pro Tools in up to 32-bit PCM/96 kHz quality":1,"#Whether mixing hip hop or recording orchestral sessions for major motion pictures, Pro Tools and LISTENTO have become essential parts of the audio engineer’s workflow for rapid client feedback.":1,"#Those who opt for Pro Tools Studio will receive a free year of LISTENTO Basic, while those who opt for Pro Tools Ultimate will receive a free year of LISTENTO Pro.":1,"#Listen to the stream via a link – open in your web browser, on your phone, or in Pro Tools via Receiver plugin":1,"#LISTENTO from Audiomovers is a remote collaboration plugin that allows users to share uncompressed audio straight from the DAW. Users create and share links with clients or collaborators, which can then be opened in the DAW, in a web browser window, or on Audiomovers’ own apps for iOS and Android.":1,"#1 Aug 2023":1,"#Download the latest version of INJECT below.":1,"#Download the right version of INJECT for your machine below. <a ljsid-1=\"\">View license details</a>.":1,"#Next Payment Amount: $9.08":1,"#Untitled":1,"#Your feedback will be used to help improve Google Translate":1,"#“It’s in there somewhere but the key is to not give up” – F. Reid Shippen #MixTricks":1,"#ZoomAudioDevice (Virtual)":1,"#This is great if you’re collaborating with the same people over a number of days or weeks, but if you’re jumping from project, you should use a session name that relates to the project, or use the random session name generator and share new links each time.":1,"#Turning your DAW into an online recording studio and allowing you to stream lossless audio with as low as 0.1 latency.":1,"#For faultless remote audio recording, Audiomovers easily outshines other remote audio collaboration tools on the market, supporting lossless multichannel audio, delivering up to 7.1.4 surround sound, and offers stability and the unique ability to adjust latency and bit rate.":1,"#Software":1,"#When you plug your iPad/iPhone into your Mac and go to audio MIDI setup, it will appear in the audio device list with a 'enable' button next to it. Click on enable and INJECT will now be able to utilise your iPad/iPhone as an audio device.":1,"#We’ve updated LISTENTO with new features. Here’s what you need to know.":1,"#If you’re a user of Cubase 12, you’re in luck.":1,"#No email given":1,"#We caught up with producer, songwriter and mixer Phil Gornell to learn more about how he completed an entire album remotely during the pandemic.":1,"#7.3.4. depicts sexually explicit images;":1,"#7.3.3. facilitates illegal activity;":1,"#7.3.2. is unlawful, harmful, threatening, defamatory, obscene, infringing, harassing or racially or ethnically offensive;":1,"#7.3.1. infringes the intellectual property rights of any third party;":1,"#7.3. You shall not create, stream, access, store, distribute or transmit any viruses, or any material during the course of your use of the Software that:":1,"#7.2.3 each Authorised User shall keep a secure password for their use of the Software, that such password shall be changed periodically and each Authorised User shall keep their password confidential.":1,"#7.2.2. you will not allow or suffer any Access Passes to be used by more than one individual Authorised User. You acknowledge that we may charge additional Licence Fees for any breach of this condition; and":1,"#7.2.1. the maximum number of Authorised Users that it authorises to access and use the Software shall not exceed the number of Access Passes you have purchased from time to time. You acknowledge that we may charge additional Licence Fees for any breach of this condition;":1,"#7.2. In relation to the Authorised Users, you undertake that:":1,"#4.5. We reserve the right to restrict or remove any Trial Subscription at any time, including if we have reasonable grounds to believe that you or someone in your household has previously signed up for a Trial Subscription.":1,"#4.4. Trials Subscriptions are limited to one per household.":1,"#3.7 Our payments provider processes all subscription payments between 00:00 and 04:00 UTC.":1,"#for perpetual licences, will be perpetual.":1,"#for time limited subscriptions (such as monthly or annual subscriptions) will be automatically extended for successive periods of the same length unless you cancel your Subscription (see conditions 2.4 and 12 for further details); and":1,"#2.2.1. the duration of the Subscription you have selected (the “Subscription Term”), which:":1,"#12.4.6. For the avoidance of doubt, no refunds shall be made in respect of Subscriptions cancelled part-way through the Subscription Term or in respect of Subscriptions which you have automatically renewed and you have not cancelled in accordance with this condition 12.":1,"#12.4.5. If you have purchased an annual Subscription and cancel part-way through the Subscription Term, you will continue to have access to the Software until the end of the then current Subscription Term when your access will cease. No refund will be made in respect of the then current Subscription Term,":1,"#(f. any special, indirect or consequential loss, damage, charges or expenses (including without limitation loss or damage of the types set out in condition 11.4.2(a) to condition 11.4.2e).":1,"#11.4.1. We only supply the Software for internal use by your business, and you agree not to use the Software for any re-sale purposes":1,"#10.5 In respect of Software sold subject to a perpetual licence, we make no guarantee that the Software will continue to be maintained and/or supported.":1,"#v1.06 | Last updated 17th June 2024":1,"#Dolby and the double-D symbol are registered trademarks of Dolby Laboratories Licensing Corporation. All other trademarks remain the property of their respective owners. © 2023 Dolby Laboratories, Inc. All rights reserved.":1,"#Apple, Apple Music, the Apple logo, Apple TV, iPad, iPhone, iPod touch, iTunes, Apple AirPods (3rd generation), AirPods Pro or AirPods Max and Mac are trademarks of Apple Inc., registered in the U.S. and other countries and regions. Copyright © 2023 Apple Inc. All rights reserved.":1,"#Audiomovers Binaural Renderer for Apple Music is solely a product of Audiomovers, and not created or endorsed by Apple Inc.":1,"#Audiomovers Binaural Renderer for Apple Music":1,"#Peter Deutsch":1,"#Altered source versions must be plainly marked as such, and must not be misrepresented as being the original software.":1,"#The origin of this software must not be misrepresented; you must not claim that you wrote the original software. If you use this software in a product, an acknowledgment in the product documentation would be appreciated but is not required.":1,"#This notice may not be removed or altered from any source distribution.":1,"#Altered source versions must be plainly marked as such, and must not be misrepresented as being the original source code.":1,"#This source code is provided ‘as-is’, without any express or implied warranty. In no event will the author be held liable for any damages arising from the use of this software. Permission is granted to anyone to use this software for any purpose, including commercial applications, and to alter it and redistribute it freely, subject to the following restrictions:The origin of this source code must not be misrepresented; you must not claim that you wrote the original source code. If you use this source code in a product, an acknowledgment in the product documentation would be appreciated but is not required.":1,"#16.7 This Licence constitutes the entire agreement between us relating to the Software. Where we agree separate terms in writing, such terms will only override the terms of this Licence where such terms are expressly stated as overriding the terms of this Licence and are signed by an authorised representative of Virgin Records Limited.":1,"#“I love pieces of kit that make my life easier” – Jeff Braun #NerdingOut":1,"#“I do a lot of AAA mastering – it’s fun but expensive” – Pete Lyman | #NerdingOut":1,"#K-pop songwriter, 1/2 of ‘LYRE MUSIC GROUP’ and record producer Alina Smith outlines how she collaborates with other songwriters and producers across the world using a combination of Zoom and the LISTENTO plugin.":1,"#25 Nov 2021":1,"#9 Oct 2021":1,"#Rock band Elbow discuss how they used the process for their ninth studio album to experiment with new recording and songwriting methods.":1,"#Remote reinvention: how new methods helped Elbow relocate their mojo":1,"#With a 35-year legacy built on writing and producing some of the biggest ’80s hits and kickstarting the career of Janet Jackson, ex-members of The Time, Jimmy Jam and Terry Lewis discuss their exploration of new sounds and technologies for the creation of what is incredibly their debut album ‘Jam & Lewis: Volume One’.":1,"#How the legendary super-duo Jam & Lewis finally created their debut solo album":1,"#Get in touch":1,"#LYRE MUSIC on collaborating remotely with songwriters and producers":1,"#Maximizing Quality: Tips for Remote Music Collaboration":1,"#0 of 150":1,"#We’ve teamed up with Abbey Road Studios’ head of audio products Mirek Stiles to give you a step-by-step guide on how you can use the OMNIBUS app to sample audio straight into your DAW.":1,"#In this conversation, Chuck reveals how a personal recommendation from Nashville steel player Paul Franklin helped him land the dream gig of working with Dire Straits.":1,"#<b ljsid-0=\"\">Boost Software Licence</b> – Version 1.0 – August 17th, 2003 Permission is hereby granted, free of charge, to any person or organization obtaining a copy of the software and accompanying documentation covered by this licence (the “Software”) to use, reproduce, display, distribute, execute, and transmit the Software, and to prepare derivative works of the Software, and to permit third-parties to whom the Software is furnished to do so, all subject to the following: The copyright notices in the Software and this entire statement, including the above licence grant, this restriction and the following disclaimer, must be included in all copies of the Software, in whole or in part, and all derivative works of the Software, unless such copies or derivative works are solely in the form of machine-executable object code generated by a source language processor. THE SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, TITLE AND NON-INFRINGEMENT. IN NO EVENT SHALL THE COPYRIGHT HOLDERS OR ANYONE DISTRIBUTING THE SOFTWARE BE LIABLE FOR ANY DAMAGES OR OTHER LIABILITY, WHETHER IN CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.":1,"#Expiry date: 12/2027":1,"#The article breaks down INJECT, its functionality, features and the various ways you can use it to streamline your music production workflow.":1,"#Product Update: LISTENTO now supports Cubase 12":1,"#Long gone are the days of having to squeeze multiple people into the same room or studio to jam or lay down a new track together. Like with most things in life, the internet has transformed music collaboration.":1,"#OMNIBUS can handle even the most complex routing scenarios with ease, and makes networking audio easier than ever before.":1,"#In recent years, we’ve seen the rise of music producers live streaming on platforms such as Twitch and YouTube. Artists like Kenny Beats, Disclosure, and Ian Kirkpatrick regularly share educational and entertaining live streams that delve into their writing and music production processes.":1,"#Nothing herein is intended to convey to you any patent, trademark, copyright, trade secret or other intellectual property owned by NDI or its licensors in the SDK or in any NDI software, hardware, products, trade names, or trademarks. NDI and its suppliers or licensors shall retain all right, title, and interest to the foregoing intellectual property and to the SDK. All rights pertaining to the SDK not expressly granted herein are reserved by NDI.":1,"#NEITHER NDI NOR ITS SUPPLIERS OR LICENSORS SHALL BE LIABLE FOR ANY INDIRECT, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES OR LOSS (INCLUDING DAMAGES FOR LOSS OF BUSINESS, LOSS OF PROFITS, OR THE LIKE), ARISING OUT OF THIS LICENSE WHETHER BASED ON BREACH OF CONTRACT, TORT (INCLUDING NEGLIGENCE), STRICT LIABILITY, PRODUCT LIABILITY OR OTHERWISE, EVEN IF NDI OR ITS REPRESENTATIVES HAVE BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.":1,"#THE SDK IS PROVIDED TO YOU ON AN “AS IS” BASIS AND “WITH ALL FAULTS”, WITHOUT ANY TECHNICAL SUPPORT OR WARRANTY OF ANY KIND FROM NDI. YOU ASSUME ALL RISKS THAT THE SDK IS SUITABLE OR ACCURATE FOR YOUR NEEDS AND YOUR USE OF THE SDK IS AT YOUR OWN DISCRETION AND RISK. NDI AND ITS LICENSORS DISCLAIM ALL EXPRESS AND IMPLIED WARRANTIES FOR THE SDK INCLUDING, WITHOUT LIMITATION, ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. ALSO, THERE IS NO WARRANTY OF NON-INFRINGEMENT, TITLE OR QUIET ENJOYMENT. SOME STATES DO NOT ALLOW THE EXCLUSION OF IMPLIED WARRANTIES, SO THE ABOVE EXCLUSION MAY NOT APPLY TO YOU. YOU MAY ALSO HAVE OTHER LEGAL RIGHTS THAT VARY FROM STATE TO STATE.":1,"#You shall: (i) not modify the entire NDI® Software Development Kit (“SDK”) or any part thereof, (ii) not reverse engineer, disassemble or recompile the SDK or any part thereof, or any protocols used in the SDK, or attempt to do so; and (iii) comply fully with all relevant export laws and regulations of the United States to assure that the Software or any part thereof is not exported, directly or indirectly, in violation of United States law.":1,"#NDI® Software Development Kit (SDK) License Agreement licensed by Vizrt NDI AB (“NDI”)":1,"#How an Abbey Road mastering engineer REALLY gets client feedback":1,"#How to easily sample music":1,"#When streaming audio to another device over the internet, you want the experience to be as close as possible to playing audio in-person.":1,"#Low Latency Audio Streaming Made Simple":1,"#Mix with the Masters | Mixing Summit with Jaycen Joshua":1,"#8.4 In respect of the Software we make available as the “Audiomovers Binaural Renderer for Apple Music”, this Software is solely our product and not created or endorsed by Apple Inc.":1,"#7.4. You agree not to take any action which imposes an unreasonable or disproportionately large load on the Software’s infrastructure. In addition and without prejudice to the foregoing, you agree to comply with any acceptable use policy published by us from time to time.":1,"#7.3.7. is otherwise illegal or causes damage or injury to any person or property;":1,"#7.3.6. is discriminatory based on race, gender, colour, religious belief, sexual orientation, disability; or":1,"#7.3.5. promotes unlawful violence;":1,"#Live-streaming audio using OBS and OMNIBUS":1,"#A/B test your mixes between Dolby Atmos and your DAW using OMNIBUS":1,"#If you would still like to reset your password, please enter a new one below.":1,"#You are currently logged in. If you change your password you will be logged out and need to log back in again using the new password.":1,"#How to record remotely with ProTools (Free Templates Inside)":1,"#Production Expert | How to use INJECT":1,"#Filmed across two sold-out Summits in London and Barcelona, this Mix with the Masters special will take you through some of Jaycen’s best moments. You will learn his disciplined approach to gain-staging, sidechain compression and harmonic excitement – all techniques that enable him to craft mixes that are detailed, dynamic and loud all at once.":1,"#Bespoke single-product or multi-product license packages.":1,"#Revoke and reassign product licenses across your students and faculty.":1,"#From leading online lectures to hundreds of students in multiple countries to remote one-to-one coaching, <a ljsid-1=\"\">LISTENTO</a> lets you teach direct from your DAW, in real-time lossless multichannel audio.":1,"#GET STARTED":1},"version":20763}]