[{"_id":"project-settings","settings":{"translateMetaTags":true,"translateAriaLabels":true,"translateTitle":true,"showWidget":true,"isFeedbackEnabled":false,"fv":1,"customWidget":{"theme":"custom","font":"rgb(0, 0, 0)","header":"rgb(9, 129, 240)","background":"rgba(9, 129, 240,1)","position":"right","positionVertical":"bottom","border":"rgb(255, 255, 255)","borderRequired":false,"widgetCompact":true,"isWidgetPositionRelative":false},"widgetLanguages":[{"code":"ja","name":"日本語"}],"activeLanguages":{"es-LA":"Español (América Latina)","pt-BR":"Português (Brasil)","ja":"日本語","en":"English"},"enabledLanguages":["en","es-LA","ja","pt-BR"],"debugInfo":false,"displayBranding":true,"displayBrandingName":true,"localizeImages":false,"localizeUrls":false,"localizeImagesLimit":false,"localizeUrlsLimit":true,"localizeAudio":false,"localizeAudioLimit":false,"localizeDates":false,"disabledPages":[],"regexPhrases":[],"allowComplexCssSelectors":false,"blockedClasses":false,"blockedIds":false,"phraseDetection":true,"customDomainSettings":[],"seoSetting":[],"translateSource":false,"overage":false,"detectPhraseFromAllLanguage":false,"googleAnalytics":false,"mixpanel":false,"heap":false,"disableDateLocalization":false,"ignoreCurrencyInTranslation":false,"blockedComplexSelectors":[]},"version":21244},{"_id":"en","source":"en","pluralFn":"return n != 1 ? 1 : 0;","pluralForm":2,"dictionary":{},"version":21244},{"_id":"outdated","outdated":{"#10 Jul 2024":1,"#Subscription value carried over $0.82":1,"#15 Feb 2022":1,"#13 Jan 2021":1,"#1 Feb 2022":1,"#Is lossless audio the same as high-resolution audio?":1,"#Ultimately, the choice of lossless format while streaming music may not be necessary for most users, as it depends on the specific service and device they prefer. For Apple users, ALAC is the default format, whereas other streaming platforms typically offer FLAC or WMA (Windows Media Audio).":1,"#FLAC, short for Free Lossless Audio Codec, is a popular open-source audio format used by various brands such as Tidal and Amazon Music. In contrast Apple Music uses its proprietary lossless format called ALAC (Apple Lossless Audio Codec).":1,"#Which lossless audio format is the best?":1,"#Common lossy audio formats include MP3, MP4, WMA, and AAC, while lossless audio formats include WAV, AIFF, ALAC and FLAC. Despite using compression to reduce data storage, these lossless formats still maintain the full waveform of the audio piece.":1,"#In the process of converting audio to digital file format, compression is often used to minimize file size. However, this compression can result in the loss of frequencies at the highest and lowest ends of the recording, which is why it’s called “lossy audio.” In contrast, when there’s no loss of frequencies, the resulting digital copy is considered “lossless” audio, meaning that it’s identical to the original recording.":1,"#What does ‘lossless’ mean?":1,"#Learn more about LISTENTO <a ljsid-1=\"\">here</a>.":1,"#With the popularity and necessity for high quality remote music collaboration, <a ljsid-1=\"\">LISTENTO</a> exceeds industry standards and provides a seamless and intuitive platform for music creators to collaborate in an efficient and controlled manner. Negating the need to worry about technical issues and flowing as naturally as an in-person recording session would, facilitating real-time lossless audio streaming.":1,"#Lossless audio streaming is a game-changer in the music industry, allowing users to enjoy high-quality uncompressed audio without sacrificing any of the original audio quality or information, in essence acting as a replica of the original audio recording.":1,"#For bandwidth details, please refer to page 9 of the LISTENTO User Guide under ‘Resources’ to see our recommended streaming and internet settings.":1,"#Quantization – Quantization rounds those amplitude values to the nearest available value in the digital system, based on its bit rate.":1,"#The standard lossy audio formats used by most streaming services may not be sufficient. This is where lossless audio comes in. In this article, we will explore what lossless audio is, how it differs from lossy formats, and how you can stream lossless audio to get the most out of your listening experience. Whether you’re a music enthusiast, a sound engineer, or just curious about the world of high-quality audio, read on to learn more about lossless audio and how you can start streaming it today.":1,"#<a ljsid-0=\"\">LISTENTO</a> allows you to transmit uncompressed audio in the format of PCM (Pulse Code Modulation). PCM is another method of translating analogue signals into digital data. It makes use of the binary language to store information about an audio signal in a digital medium.":1,"#<a ljsid-0=\"\">LISTENTO</a> allows you to stream uncompressed, lossless audio in real-time to anyone, anywhere in the world. Whether you’re a musician, producer, audio engineer or voice over artist, LISTENTO allows you to collaborate on projects in real-time, symbiotically prioritising audio quality and user experience. It’s easy to use and is compatible with most DAW’s, you can collaborate seamlessly with your team regardless of their location.":1,"#Yes, it is possible to collaborate remotely on lossless audio, but it does require some additional set up and consideration compared to collaborating on lossy audio or other standard file types.":1,"#Can I collaborate remotely on lossless audio?":1,"#So, while lossless audio preserves all the information of the original recording, high-resolution audio captures more detail in the recording, but still some of the original audio information is lost during compression, compared to lossless where no data is lost. It is worth noting that all high-resolution audio is lossless, and not all lossless audio is high-resolution.":1,"#On the other hand, high-resolution audio refers to audio files that have a higher sampling rate and/or bit depth than the standard lossy quality audio (44.1 kHz / 16-bit). High-resolution audio typically has a sampling rate of 96 kHz, and a bit depth of 24 bits. This means that high-resolution audio has a greater frequency range and dynamic range, capturing more of the nuances and details of the original recording.":1,"#As mentioned above, lossless audio refers to digital audio compression that preserves all the original data and information of the audio file without losing any quality. Lossless audio retains all of this valuable information and delivers a file identical in quality to the original audio recording.":1,"#Lossless audio and high-resolution audio are often used interchangeably, but they are not the same thing. While both offer better sound quality than standard compressed audio formats, there are some key differences between the two.":1,"#Expiry date: 06/2032":1,"#11 Mar 2022":1,"#Start date: <strong ljsid-1=\"\">28 December 2023</strong>":1,"#Learn more about which LISTENTO version might be most appropriate for your OS <a ljsid-1=\"\">here</a>.":1,"#21 Apr 2023":1,"#30 Mar 2022":1,"#30 Jul 2022":1,"#30 Jul 2023":1,"#28 Jul 2023":1,"#11 Mar 2024":1,"#By implementing these practical tips, you can maximize the quality of your remote music collaborations, providing your creative partners with an engaging, immersive experience, and high-quality audio experience.":1,"#23 Jul 2022":1,"#11 Jan 2022":1,"#Start date: <strong ljsid-1=\"\">9 July 2024</strong>":1,"#25 Nov 2023":1,"#11 Feb 2022":1,"#MacOS 10.15+":1,"#20 Jun 2024":1,"#29 Dec 2023":1,"#13 Feb 2024":1,"#13 Oct 2023":1,"#Dolby Audio Bridge":1,"#Encoding – Encoding is the final stage where the newly sampled audio information is written to a hard drive or other digital storage medium in a given format to be used elsewhere.":1,"#Sampling – Samples are snapshots of the incoming signal which record the amplitude of the signal at that given moment.":1,"#PCM takes place over three stages:":1,"#Now separated by an 11-hour flight and restricted by lockdowns, they needed to find a creative solution that allowed them to finish the album they were working on remotely.":1,"#Phil Gornell was already a regular user of the LISTENTO plugin before the pandemic struck, using the software to get real-time mix critiques from his clients from as early as 2019. Fast forward to 2020, when just four weeks into writing sessions with pop-rock artist Heart of Gold, their entire process was halted by his visa expiration and the COVID-19 pandemic.":1,"#20 Jul 2024":1,"#21 May 2023":1,"#21 Feb 2023":1,"#Expiry date: 12/2029":1,"#Other web browsers will work, but haven’t been fully tested.":1,"#Other hosts will likely work but haven’t been fully tested.":1,"#In LISTENTO, these are described as ‘connected clients’.":1,"#3 Mar 2023":1,"#11 Apr 2024":1,"#11 Jun 2024":1,"#Expiry date: 08/2030":1,"#It offers an intuitive interface and streamlines the audio routing workflow, making it accessible for all users, from beginners and absolute professionals.":1,"#OMNIBUS is a software solution for seamless audio routing within your Mac. It allows you to route between applications and hardware inputs and outputs, split audio from one source to several destinations for easy A/B, combine audio input devices for DAW outputs and quickly sample audio from various sources.":1,"#Why use OMNIBUS with OBS?":1,"#Thanks to our newly updated OMNIBUS tool, it has never been easier to live stream audio from multiple applications using OBS. Below we break down how you can use OMNIBUS in conjunction with OBS when live-streaming sessions to an audience.":1,"#However, setting up your live stream can be a complicated process. Most opt for OBS (Open Broadcaster Software), a free, open-source software for video recording and live streaming.":1,"#Live streaming is an incredible way for artists, producers and engineers to create secondary revenue streams, and establish and nurture their online fan bases. It can also provide them with the opportunity to learn new skills, techniques and workflow hacks.":1,"#Once you’re happy with your setup, you can go back into OMNIBUS and save this routing configuration for later use.":1,"#Before you start streaming, it’s good practice to test out your stream. Simply start recording and pass some audio from your daw and your microphone. Now play this video back and see whether the audio is being recorded.":1,"#7. Now we’ve got our DAW’s audio and mic’s audio we’re now ready to start streaming or screen recording.":1,"#As this is a mono channel, however, you will notice on the input level for our mic in OBS that it is only capturing audio from the left channel. We’ve selected a mono signal and OBS is thinking it’s a stereo input. To amend this, simply navigate to advanced audio properties in your audio capture device for your microphone OBS and navigate to the mic input capture you created and change it from stereo to mono.":1,"#If you have a USB audio microphone such as a Snowball mic, you could select this right here. However, for this example I have a microphone plugged into my audio interface that I wish to use as my commentary microphone. All I need to do is route channel 1 from my audio interface into OMNIBUS C channel 1.":1,"#6. Let’s repeat the same steps as before in OBS and set up an audio capture device but this time, let’s use OMNIBUS C.":1,"#If you’re just starting and don’t have a microphone yet you could always use your computer’s built-in microphone.":1,"#5. Now, let’s set up a microphone to use for our video commentary. As OMNIBUS 2.0 supports hardware inputs, we can utilise any channel from any of our hardware inputs and route them through OMNIBUS to another designated input for OBS. Doing this will allow you to adjust the levels between your microphone and your DAW audio.":1,"#3. In OBS, set up an audio input capture and assign it to one of the OMNIBUS drivers, here we’ve got it set to OMNIBUS A channels 1&2 as we’re only sending our stereo masters output to OBS.":1,"#2. Before moving to OBS, you’ll first need to route your DAW’s audio to your designated monitor output so that you can hear your DAW. Simply drag channels 1 and 2 from OMNIBUS B to your chosen monitor output. In this case, a UAD Apollo interface.":1,"#1. Set your DAW’s playback engine as one of OMNIBUS’ virtual drivers so that your DAW’s output will be travelling through the OMNIBUS application. For this example, we are using OMNIBUS B.":1,"#For this example of using OMNIBUS and OBS, we are using the DAW Logic Pro. The same logic will also apply to your DAW of choice.":1,"#OMNIBUS & OBS in action: How to live stream a music production session":1,"#Let’s see how OMNIBUS makes capturing application audio easy with OBS.":1,"#OMNIBUS has an easy-to-use routing matrix, allowing you to simply click the connections between devices you want to make. It also allows you to save and recall complex routing setups with ‘snapshots’, which you can label for ease of finding in future and also has precise metering and support for hardware inputs and outputs meaning it can adapt to even the most demanding scenarios.":1,"#ALL EPISODES":1,"#14 Aug 2024":1,"#21 Mar 2023":1,"#21 Jun 2023":1,"#Or, it could be related to an autofill function executed by a built-in web browser or a third-party password manager.":1,"#We recommend copying and pasting your login information to a simple text editor to verify it. It sounds too obvious, but a majority of our support tickets with a similar issue are resolved by following these simple instructions.":1,"#If you’ve ruled out the above, and you still can’t login to your Audiomovers account in a web browser, please request a password reset by clicking on ‘Forgot Password’.":1,"#26 Oct 2022":1,"#14 Nov 2024":1,"#11 Nov 2024":1,"#7 Oct 2024":1,"#“OMNIBUS makes complex audio routing easy whether you’re an audio professional or enthusiast. Now with OMNIBUS 2.0, there is hardware input support and a new and much-improved user interface for greater flexibility. “":1,"#19 Oct 2024":1,"#6 Jul 2022":1,"#Expiry date: 06/2029":1,"#Follow the steps below to connect your AirPods as a monitoring source:":1,"#Bengali - বাংলা":1,"#Yiddish - יידיש":1,"#Esperanto - esperanto":1,"#11 May 2024":1,"#Expiry date: 05/2028":1,"#Expiry date: 01/2027":1,"#LISTENTO supports lossless multichannel audio, provides up to 7.1.4 surround sound, and allows users to adjust latency and bit rate to their preferences.":1,"#19 Aug 2024":1,"#19 Jul 2024":1,"#License purchased on 26th November 2022":1,"#View plans":1,"#However, there may be other plans you can upgrade to.":1,"#Plan unavailable.":1,"#Next Payment Amount: $9.08":1,"#All you need to do is download the plugin for your PC and the mobile player for your phone, follow a few simple steps, and voilà, you can stream HD audio from your PC to a phone in real-time.":1,"#From music and podcast recordings, to film scores and various other remote recording projects, LISTENTO’s real-time streaming capabilities meet the high demands of audio professionals.":1,"#Audiomovers OMNIBUS 3.0":1,"#25 Apr 2023":1,"#If you need to update the payment information associated with your subscription, you can do this from within Billing in My Account.":1,"#Incorporating USB audio devices into your music production and recording workflow has never been easier thanks to INJECT. By following the simple steps outlined in this article, you can seamlessly interrogate USB microphones and USB synthesizers into your DAW without needing to switch your preferred playback engine or dealing with troublesome I/O limitations.":1,"#INJECT provides a straightforward solution for utilizing multiple USB audio devices, allowing you to bring external audio sources directly into your sessions with ease and flexibility. Enhance your creativity and streamline your workflow with INJECT today.":1,"#No email given":1,"#Expiry date: 09/2027":1,"#25 Nov 2021":1,"#Expiry date: 06/2028":1,"#26 Nov 2022":1,"#Conclusion":1,"#“I thought it was a friend playing a prank on me” – Chuck Ainlay | #OffTheRecord":1,"#Product Update: LISTENTO now supports Cubase 12":1,"#We’ve teamed up with Abbey Road Studios’ head of audio products Mirek Stiles to give you a step-by-step guide on how you can use the OMNIBUS app to sample audio straight into your DAW.":1,"#In this conversation, Chuck reveals how a personal recommendation from Nashville steel player Paul Franklin helped him land the dream gig of working with Dire Straits.":1,"#The article breaks down INJECT, its functionality, features and the various ways you can use it to streamline your music production workflow.":1,"#OMNIBUS can handle even the most complex routing scenarios with ease, and makes networking audio easier than ever before.":1,"#In recent years, we’ve seen the rise of music producers live streaming on platforms such as Twitch and YouTube. Artists like Kenny Beats, Disclosure, and Ian Kirkpatrick regularly share educational and entertaining live streams that delve into their writing and music production processes.":1,"#Sampling allows you to take inspiration from a variety of sources and we want to help you take advantage of that. We’ve compiled this guide to show you how to find and sample audio from public domain films, to add that unique flavour to your tracks.":1,"#How an Abbey Road mastering engineer REALLY gets client feedback":1,"#The Gear Behind: Abbey Road Studios":1,"#How to easily sample music":1,"#How to record remotely with ProTools (Free Templates Inside)":1,"#When streaming audio to another device over the internet, you want the experience to be as close as possible to playing audio in-person.":1,"#Production Expert | How to use INJECT":1,"#Filmed across two sold-out Summits in London and Barcelona, this Mix with the Masters special will take you through some of Jaycen’s best moments. You will learn his disciplined approach to gain-staging, sidechain compression and harmonic excitement – all techniques that enable him to craft mixes that are detailed, dynamic and loud all at once.":1,"#Mix with the Masters | Mixing Summit with Jaycen Joshua":1,"#What is lossless audio streaming?":1,"#We are excited to announce that Audiomovers have partnered with Avid on a bundle to bring remote audio collaboration to new and existing Pro Tools users.":1,"#It’s now possible to easily A/B test Dolby Atmos mixes without having to bounce out tracks. Using OMNIBUS, the new audio routing software from Audiomovers, you can instantly compare your mix from your DAW with published Atmos productions on Apple Music.":1,"#A/B test your mixes between Dolby Atmos and your DAW using OMNIBUS":1,"#“Don’t second guess yourself too much, there’s power in momentum” – Nathan Dantzler | #MixTricks":1,"#Sampling audio from public domain films":1,"#The long awaited arrival of Greta Gerwig’s live action take on Barbie –The Movie is finally upon us. As we celebrate its release, we are thrilled to share the role that Audiomovers has played in bringing the Barbie Dream World to life.":1,"#Bespoke single-product or multi-product license packages.":1,"#Revoke and reassign product licenses across your students and faculty.":1,"#From leading online lectures to hundreds of students in multiple countries to remote one-to-one coaching, <a ljsid-1=\"\">LISTENTO</a> lets you teach direct from your DAW, in real-time lossless multichannel audio.":1,"#28 Feb 2023":1,"#Centralized license management":1,"#<span ljsid-0=\"\">Bespoke LISTENTO receiver limits</span> tailored specifically to your requirements for any class size.":1,"#Contact us with your details and we will get back to you to discuss how we can meet your specific requirements.":1,"#On-hand expert support.":1,"#Flexible payment options including invoicing and bank transfer.":1,"#Bulk discounts for multiple license purchases.":1,"#Check your inbox for your confirmation email, click the link to activate your account.":1,"#Gaming studios, broadcast, film and schools":1,"#We can't change the subscription plan whilst you're on a free trial. Clicking 'Next' will cancel your current trial and move you to checkout for a new paid subscription.":1,"#Playback loop enabled":1,"#Enter product code":1,"#Redeem your product code here":1,"#Activate your product code below.":1,"#YOU CAN <a ljsid-1=\"\">CONTACT US</a> or use our <a ljsid-3=\"\">FAQS</a>, if you have any problems.":1,"#Redeem now":1,"#Card type: american_express,":1,"#Your current payment details are shown above.":1,"#If you wish to update them, please use the options <span ljsid-1=\"\">below</span><span ljsid-2=\"\">on the right</span>.":1,"#Any changes made will take effect from your next payment.":1,"#If you no longer wish to update your payment details, use the link below to go back to your account and no changes will be made.":1,"#Current payment details":1,"#Sorry, that voucher could not be found or cannot be used for your current purchase. Please check you have entered it correctly and that it applies to the products you are trying to buy.":1,"#Filipino":1,"#How many authorisations are there for perpetual licences?":1,"#3 of 5 activations remaining":1,"#We'll link you to where you can ACCESS AND download the software.":1,"#* Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.":1,"#Signature of consumer(s) (only if this form is notified on paper),":1,"#Ordered on [*],":1,"#12.4.2. If neither you nor any Authorised User has used the Software prior to you notifying us of cancellation within the cooling-off period, we will refund the Licence Fees in full.":1,"#10.1. While we will use commercially reasonable endeavours to make the Software perform materially in accordance with any descriptions we provide regarding functionality, available 24 hours a day, seven days a week and to correct any errors in the Software, we do not warrant that:":1,"#9.1.5. you have no right to have access to the Software in source code form.":1,"#9.1. You acknowledge that:":1,"#8.1. Where the Software allows for integration with third party plug-ins, apps or services or contains links to third party websites (collectively “Third Party Services”), we have no control over the contents or performance of those Third Party Services and your use of purchase of the same is solely at your own risk.":1,"#(a. is used only for the Permitted Objective;":1,"#7.1. Except as expressly set out in this Licence or as permitted by any local law, you undertake:":1,"#6.2.1. install and use the Software for your personal purposes only (or for your internal business purposes where you are a Business User):":1,"#6. GRANT OF LICENCE":1,"#5.3. If you are registering on behalf of a business, organisation or other legal entity, you represent and warrant that you have the authority to legally bind that entity to the terns if this Licence.":1,"#3.3. Notwithstanding that the payment transaction is entered into with Paddle, your use of the Software remains subject to the terms of this Licence with us. This Licence is the “Supplier Agreement” referred to in Paddle’s terms and conditions and by purchasing the Subscription you agree to the terms of this Licence.":1,"#sha1.hpp is a repackaging of the sha1.cpp and sha1.h files from the shallsha1 library (http://code.google.com/p/smallsha1/) into a single header suitable for use as a header only library. This conversion was done by Peter Thorson (webmaster@zaphoyd.com) in 2013. All modifications to the code are redistributed under the same licence as the original, which is listed below.":1,"#* Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.":1,"#This FastCGI application library source and object code (the “Software”) and its documentation (the “Documentation”) are copyrighted by Open Market, Inc (“Open Market”). The following terms apply to all files associated with the Software and Documentation unless explicitly disclaimed in individual files.":1,"#16. OTHER IMPORTANT TERMS":1,"#15.1. Under data protection legislation, we are required to provide you with certain information about who we are, how we process your personal data and for what purposes and your rights in relation to your personal data and how to exercise them. This information is provided in our privacy policy available at https://www.umusic.co.uk/privacy.html and it is important that you read that information.":1,"#12.1. We may terminate this Licence at any time for convenience by providing you with 30 days’ notice. If we terminate the Licence under this condition 12.1, we will provide you with a pro-rata refund of any Licence Fees paid in respect of the unused portion of the Subscription Term.":1,"#****** SHA1 Library (sha1/sha1.hpp) ******":1,"#Copyright (c) 2014, Peter Thorson. All rights reserved.":1,"#(Complete and return this form only if you wish to withdraw from the Licence)":1,"#12.4.1. you have a legal right to change your mind within 14 days of first signing up for your Subscription (including any Trial Subscription) (“cooling-off period”). You can cancel your Subscription by:":1,"#****** UTF8 Validation logic (utf8_validation.hpp) ****** utf8_validation.hpp is adapted from code originally written by Bjoern Hoehrmann . See http://bjoern.hoehrmann.de/utf-8/decoder/dfa/ for details.":1,"#Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:":1,"#Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the “Software”), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicence, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:":1,"#Curl – COPYRIGHT AND PERMISSION NOTICE":1,"#[*] Delete as appropriate":1,"#17.2.2. if you reside in the EU, the European Commission provides for an online dispute resolution platform, which you can access here: https://ec.europa.eu/consumers/odr. We will not charge you for making a complaint and if you are not satisfied with the outcome you can still bring legal proceedings.":1,"#15.2. As stated in condition 3, we use a third party payment service provider who will also process your personal data for administration of billing and collection of the Licence Fees. Such processing shall be subject to the terms of their separate privacy policy available via their website.":1,"#12.4. If you are a Consumer User:":1,"#12.2. We may terminate this Licence immediately by written notice to you if you commit a material or persistent breach of this Licence which you fail to remedy (if remediable) within 14 days after the service of written notice requiring you to do so. No refund will be due if we terminate in accordance with this condition 12.2.":1,"#11.4.2. We shall not in any circumstances whatever be liable to you, whether in contract, tort (including negligence), breach of statutory duty, or otherwise, arising under or in connection with the Licence for:":1,"#10.2. The Software is hosted by a third party cloud service provider and your use relies upon internet and telecommunications infrastructure and we do not have responsibility or liability in respect of such services, their performance or for any defect in or unavailability of such services.":1,"#2.5.2. an Access Pass shall permit an Authorised User access to the Software for a defined Subscription Term as set out at the time you purchase such Access Pass. Following the end of such Subscription Term, the Access Pass and the Authorised User’s access to the Software shall terminate;":1,"#2.3. You may cancel your Subscription at any time, further details are provided in condition 12.":1,"#1.3. Installation of the Software shall be your responsibility. To use the Software, your device must meet certain system requirements. These will be updated from time to time and can be found on the Audiomovers website.":1,"#Model Cancellation Form – for Consumer Users only":1,"#9.1.4. the Software is subject to the additional terms and conditions and legal notices set out in Schedule 2, and":1,"#function as a component of a header only library. This conversion was done by Peter Thorson (webmaster@zaphoyd.com) in 2012 for the WebSocket++ project. The changes are released under the same licence as the original (listed below) Copyright (C) 1999, 2002 Aladdin Enterprises. All rights reserved. This software is provided ‘as-is’, without any express or implied warranty. In no event will the authors be held liable for any damages arising from the use of this software. Permission is granted to anyone to use this software for any purpose, including commercial applications, and to alter it and redistribute it freely, subject to the following restrictions:":1,"#Except as contained in this notice, the name of a copyright holder shall not be used in advertising or otherwise to promote the sale, use or other dealings in this Software without prior written authorization of the copyright holder.":1,"#All rights reserved. Permission to use, copy, modify, and distribute this software for any purpose with or without fee is hereby granted, provided that the above copyright notice and this permission notice appear in all copies. THE SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT OF THIRD PARTY RIGHTS. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.":1,"#SCHEDULE 2":1,"#Name of consumer(s),":1,"#17.2.3. If you are a Business User, you agree to submit to the exclusive jurisdiction of the English courts.":1,"#17. GOVERNING LAW AND JURISDICTION":1,"#16.3. This contract is between you and us. This Licence does not give rise to any rights to any third party to enforce any term of this Licence.":1,"#13.2. If we have to contact you or give you notice in writing, we will do so by emailing the email address you provided in registering your account.":1,"#11. OUR RESPONSIBILITY FOR LOSS OR DAMAGE SUFFERED BY YOU":1,"#9.2. You acknowledge that we are the sole and exclusive owners of any and all anonymised data relating to your use of the Software (for example activity records, availability monitoring, system performance data and analytics based on user segments) and that such anonymised data can be used by us for commercial, development and research purposes, including in supporting, developing, testing, and improving the Software.":1,"#17.2.1. if mandatory statutory consumer protection regulations in your country of residence contain provisions that apply by application of applicable law, such provisions shall apply irrespective of the choice of English law. As a consumer, you may bring any judicial proceedings relating to this Licence before the competent court of your place of residence or the competent court of our place of business in England. If we wish to enforce any of its rights against you as a consumer, we may do so only in the courts of the jurisdiction in which you are a resident.":1,"#17.2. If you are a Consumer User:":1,"#14.2.2. we will use our reasonable endeavours to find a solution by which our obligations under this Licence may be performed despite the Event Outside Our Control.":1,"#(a. accessing the My Account section of the Software and following the cancellation instructions set out; or":1,"#(b. business interruption;":1,"#11.3.2. When we are liable for damage to your property. If defective digital content that we have supplied damages a device or digital content belonging to you, we will either repair the damage or pay you compensation. However, we will not be liable for damage that you could have avoided by following our advice to apply an update offered to you free of charge or for damage that was caused by you failing to correctly follow installation instructions or to have in place the minimum system requirements advised by us.":1,"#10.4. To the maximum extent permitted by law, we disclaim any and all implied conditions and warranties that the Software and the information and services available through it are of satisfactory quality, accurate or fit for a particular purpose.":1,"#9.1.1. all intellectual property rights in the Software throughout the world, as between you and us, belong to us,":1,"#****** MD5 Library (common/md5.hpp) ****** md5.hpp is a reformulation of the md5.h and md5.c code from http://www.opensource.apple.com/source/cups/cups-59/cups/md5.c to allow it to":1,"#THIS SOFTWARE IS PROVIDED BY Micael Hildenborg ”AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL Micael Hildenborg BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.":1,"#Permission to use, copy, modify, and distribute this software for any purpose with or without fee is hereby granted, provided that the above copyright notice and this permission notice appear in all copies.":1,"#16.4. Each of the conditions of these terms operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining conditions will remain in full force and effect.":1,"#16.1. We may transfer our rights and obligations under these terms to another organisation. We will always tell you in writing if this happens and we will ensure that the transfer will not affect your rights under the contract.":1,"#15. HOW WE MAY USE YOUR PERSONAL INFORMATION":1,"#12.3. Upon termination for any reason:":1,"#(d. loss or corruption of data or information;":1,"#11.2. We are not responsible for ensuring the Software meets your individual requirements. You acknowledge that the Software has not been developed to meet your individual requirements (including, if you are a Business User, any particular cybersecurity requirements you might be subject to under law or otherwise) and that it is therefore your responsibility to ensure that the facilities and functions of the Software meet your requirements.":1,"#10. AVAILABILITY AND DISCLAIMER":1},"version":21244}]