[{"_id":"project-settings","settings":{"translateMetaTags":true,"translateAriaLabels":true,"translateTitle":true,"showWidget":true,"isFeedbackEnabled":false,"fv":1,"customWidget":{"theme":"custom","font":"rgb(0, 0, 0)","header":"rgb(9, 129, 240)","background":"rgba(9, 129, 240,1)","position":"right","positionVertical":"bottom","border":"rgb(255, 255, 255)","borderRequired":false,"widgetCompact":true,"isWidgetPositionRelative":false},"widgetLanguages":[{"code":"ja","name":"日本語"}],"activeLanguages":{"es-LA":"Español (América Latina)","pt-BR":"Português (Brasil)","ja":"日本語","en":"English"},"enabledLanguages":["en","es-LA","ja","pt-BR"],"debugInfo":false,"displayBranding":true,"displayBrandingName":true,"localizeImages":false,"localizeUrls":false,"localizeImagesLimit":false,"localizeUrlsLimit":true,"localizeAudio":false,"localizeAudioLimit":false,"localizeDates":false,"disabledPages":[],"regexPhrases":[],"allowComplexCssSelectors":false,"blockedClasses":false,"blockedIds":false,"phraseDetection":true,"customDomainSettings":[],"seoSetting":[],"translateSource":false,"overage":false,"detectPhraseFromAllLanguage":false,"googleAnalytics":false,"mixpanel":false,"heap":false,"disableDateLocalization":false,"ignoreCurrencyInTranslation":false,"blockedComplexSelectors":[]},"version":20952},{"_id":"en","source":"en","pluralFn":"return n != 1 ? 1 : 0;","pluralForm":2,"dictionary":{},"version":20952},{"_id":"outdated","outdated":{"#Start date: <strong ljsid-1=\"\">11 June 2024</strong>":1,"#1 Jan 2022":1,"#1 Nov 2022":1,"#8 Jun 2022":1,"#Opt-out date: 04 September 2024 16:03:36":1,"#write a comment...":1,"#Input here...":1,"#change color":1,"#+Share to a new group":1,"#Group":1,"#Private":1,"#Ok, done!":1,"#Highlight & Sticky note":1,"#Search in Google":1,"#Write a comment...":1,"#Drag to outliner or <span ljsid-1=\"\">Upload</span>":1,"#Capture":1,"#Is lossless audio the same as high-resolution audio?":1,"#Ultimately, the choice of lossless format while streaming music may not be necessary for most users, as it depends on the specific service and device they prefer. For Apple users, ALAC is the default format, whereas other streaming platforms typically offer FLAC or WMA (Windows Media Audio).":1,"#FLAC, short for Free Lossless Audio Codec, is a popular open-source audio format used by various brands such as Tidal and Amazon Music. In contrast Apple Music uses its proprietary lossless format called ALAC (Apple Lossless Audio Codec).":1,"#Which lossless audio format is the best?":1,"#Common lossy audio formats include MP3, MP4, WMA, and AAC, while lossless audio formats include WAV, AIFF, ALAC and FLAC. Despite using compression to reduce data storage, these lossless formats still maintain the full waveform of the audio piece.":1,"#In the process of converting audio to digital file format, compression is often used to minimize file size. However, this compression can result in the loss of frequencies at the highest and lowest ends of the recording, which is why it’s called “lossy audio.” In contrast, when there’s no loss of frequencies, the resulting digital copy is considered “lossless” audio, meaning that it’s identical to the original recording.":1,"#What does ‘lossless’ mean?":1,"#Learn more about LISTENTO <a ljsid-1=\"\">here</a>.":1,"#With the popularity and necessity for high quality remote music collaboration, <a ljsid-1=\"\">LISTENTO</a> exceeds industry standards and provides a seamless and intuitive platform for music creators to collaborate in an efficient and controlled manner. Negating the need to worry about technical issues and flowing as naturally as an in-person recording session would, facilitating real-time lossless audio streaming.":1,"#Lossless audio streaming is a game-changer in the music industry, allowing users to enjoy high-quality uncompressed audio without sacrificing any of the original audio quality or information, in essence acting as a replica of the original audio recording.":1,"#For bandwidth details, please refer to page 9 of the LISTENTO User Guide under ‘Resources’ to see our recommended streaming and internet settings.":1,"#Quantization – Quantization rounds those amplitude values to the nearest available value in the digital system, based on its bit rate.":1,"#The standard lossy audio formats used by most streaming services may not be sufficient. This is where lossless audio comes in. In this article, we will explore what lossless audio is, how it differs from lossy formats, and how you can stream lossless audio to get the most out of your listening experience. Whether you’re a music enthusiast, a sound engineer, or just curious about the world of high-quality audio, read on to learn more about lossless audio and how you can start streaming it today.":1,"#<a ljsid-0=\"\">LISTENTO</a> allows you to transmit uncompressed audio in the format of PCM (Pulse Code Modulation). PCM is another method of translating analogue signals into digital data. It makes use of the binary language to store information about an audio signal in a digital medium.":1,"#<a ljsid-0=\"\">LISTENTO</a> allows you to stream uncompressed, lossless audio in real-time to anyone, anywhere in the world. Whether you’re a musician, producer, audio engineer or voice over artist, LISTENTO allows you to collaborate on projects in real-time, symbiotically prioritising audio quality and user experience. It’s easy to use and is compatible with most DAW’s, you can collaborate seamlessly with your team regardless of their location.":1,"#Yes, it is possible to collaborate remotely on lossless audio, but it does require some additional set up and consideration compared to collaborating on lossy audio or other standard file types.":1,"#Can I collaborate remotely on lossless audio?":1,"#So, while lossless audio preserves all the information of the original recording, high-resolution audio captures more detail in the recording, but still some of the original audio information is lost during compression, compared to lossless where no data is lost. It is worth noting that all high-resolution audio is lossless, and not all lossless audio is high-resolution.":1,"#On the other hand, high-resolution audio refers to audio files that have a higher sampling rate and/or bit depth than the standard lossy quality audio (44.1 kHz / 16-bit). High-resolution audio typically has a sampling rate of 96 kHz, and a bit depth of 24 bits. This means that high-resolution audio has a greater frequency range and dynamic range, capturing more of the nuances and details of the original recording.":1,"#As mentioned above, lossless audio refers to digital audio compression that preserves all the original data and information of the audio file without losing any quality. Lossless audio retains all of this valuable information and delivers a file identical in quality to the original audio recording.":1,"#Lossless audio and high-resolution audio are often used interchangeably, but they are not the same thing. While both offer better sound quality than standard compressed audio formats, there are some key differences between the two.":1,"#11 Apr 2022":1,"#13 Apr 2024":1,"#4 Jun 2020":1,"#13 May 2024":1,"#13 Jul 2024":1,"#3 Mar 2021":1,"#1 Mar 2022":1,"#13 Jun 2024":1,"#Start date: <strong ljsid-1=\"\">5 September 2024</strong>":1,"#11 May 2022":1,"#11 Jul 2022":1,"#13 Sep 2024":1,"#Términos de uso":1,"#Post":1,"#25 Nov 2023":1,"#License purchased on 16th July 2024":1,"#Start date: <strong ljsid-1=\"\">25 April 2023</strong>":1,"#13 Aug 2024":1,"#Encoding – Encoding is the final stage where the newly sampled audio information is written to a hard drive or other digital storage medium in a given format to be used elsewhere.":1,"#Sampling – Samples are snapshots of the incoming signal which record the amplitude of the signal at that given moment.":1,"#PCM takes place over three stages:":1,"#4 Apr 2021":1,"#Audio MIDI Setup:":1,"#Your license is activated via your login. Sharing your personal login with others breaks the Audiomovers Terms of Service.":1,"#However, the number of computers you can log in from at the same time is three. This is to help you if you work with multiple machines.":1,"#Expiry date: 12/2029":1,"#Other web browsers will work, but haven’t been fully tested.":1,"#Other hosts will likely work but haven’t been fully tested.":1,"#1 Oct 2022":1,"#The compressor was brought in from America to be used as an automatic volume-control device. Finding it not quite up to their high standards, the technical engineers at Abbey Road redesigned it. The new design was called the EMI RS124. Just a few dozen were made, and only a very small number survive today.":1,"#It offers an intuitive interface and streamlines the audio routing workflow, making it accessible for all users, from beginners and absolute professionals.":1,"#OMNIBUS is a software solution for seamless audio routing within your Mac. It allows you to route between applications and hardware inputs and outputs, split audio from one source to several destinations for easy A/B, combine audio input devices for DAW outputs and quickly sample audio from various sources.":1,"#Why use OMNIBUS with OBS?":1,"#Thanks to our newly updated OMNIBUS tool, it has never been easier to live stream audio from multiple applications using OBS. Below we break down how you can use OMNIBUS in conjunction with OBS when live-streaming sessions to an audience.":1,"#However, setting up your live stream can be a complicated process. Most opt for OBS (Open Broadcaster Software), a free, open-source software for video recording and live streaming.":1,"#Live streaming is an incredible way for artists, producers and engineers to create secondary revenue streams, and establish and nurture their online fan bases. It can also provide them with the opportunity to learn new skills, techniques and workflow hacks.":1,"#Once you’re happy with your setup, you can go back into OMNIBUS and save this routing configuration for later use.":1,"#Before you start streaming, it’s good practice to test out your stream. Simply start recording and pass some audio from your daw and your microphone. Now play this video back and see whether the audio is being recorded.":1,"#7. Now we’ve got our DAW’s audio and mic’s audio we’re now ready to start streaming or screen recording.":1,"#As this is a mono channel, however, you will notice on the input level for our mic in OBS that it is only capturing audio from the left channel. We’ve selected a mono signal and OBS is thinking it’s a stereo input. To amend this, simply navigate to advanced audio properties in your audio capture device for your microphone OBS and navigate to the mic input capture you created and change it from stereo to mono.":1,"#If you have a USB audio microphone such as a Snowball mic, you could select this right here. However, for this example I have a microphone plugged into my audio interface that I wish to use as my commentary microphone. All I need to do is route channel 1 from my audio interface into OMNIBUS C channel 1.":1,"#6. Let’s repeat the same steps as before in OBS and set up an audio capture device but this time, let’s use OMNIBUS C.":1,"#If you’re just starting and don’t have a microphone yet you could always use your computer’s built-in microphone.":1,"#5. Now, let’s set up a microphone to use for our video commentary. As OMNIBUS 2.0 supports hardware inputs, we can utilise any channel from any of our hardware inputs and route them through OMNIBUS to another designated input for OBS. Doing this will allow you to adjust the levels between your microphone and your DAW audio.":1,"#3. In OBS, set up an audio input capture and assign it to one of the OMNIBUS drivers, here we’ve got it set to OMNIBUS A channels 1&2 as we’re only sending our stereo masters output to OBS.":1,"#2. Before moving to OBS, you’ll first need to route your DAW’s audio to your designated monitor output so that you can hear your DAW. Simply drag channels 1 and 2 from OMNIBUS B to your chosen monitor output. In this case, a UAD Apollo interface.":1,"#1. Set your DAW’s playback engine as one of OMNIBUS’ virtual drivers so that your DAW’s output will be travelling through the OMNIBUS application. For this example, we are using OMNIBUS B.":1,"#For this example of using OMNIBUS and OBS, we are using the DAW Logic Pro. The same logic will also apply to your DAW of choice.":1,"#OMNIBUS & OBS in action: How to live stream a music production session":1,"#Let’s see how OMNIBUS makes capturing application audio easy with OBS.":1,"#OMNIBUS has an easy-to-use routing matrix, allowing you to simply click the connections between devices you want to make. It also allows you to save and recall complex routing setups with ‘snapshots’, which you can label for ease of finding in future and also has precise metering and support for hardware inputs and outputs meaning it can adapt to even the most demanding scenarios.":1,"#Expiry date: 07/2027":1,"#With iOS v3.0, we introduced new UI, the ability to receive and monitor discrete 7.1.4 or Binauralized audio from Binaural Renderer (please note: LISTENTO Pro subscription is required to transmit Binaural Audio to iOS player No subscription required to receive audio).":1,"#Highlight":1,"#6 Jul 2022":1,"#13 Oct 2024":1,"#You are currently logged in.":1,"#“OMNIBUS makes complex audio routing easy whether you’re an audio professional or enthusiast. Now with OMNIBUS 2.0, there is hardware input support and a new and much-improved user interface for greater flexibility. “":1,"#Your subscription <em ljsid-1=\"\"><span ljsid-1-0=\"\">will automatically renew unless you cancel</span></em>. You can cancel at any time however <em ljsid-3=\"\"><span ljsid-3-0=\"\">no refunds can be given if you forget to cancel your subscription.</span></em>":1,"#Click track:":1,"#19 Feb 2024":1,"#11 Nov 2021":1,"#Expiry date: 01/2027":1,"#There is a blue button on the homepage that says 'Upgrade Subscription'.":1,"#Invalid or expired link. Your account has not been confirmed. Please check your email for your confirmation link or request a new one below.":1,"#View plans":1,"#However, there may be other plans you can upgrade to.":1,"#Plan unavailable.":1,"#9 Feb 2024":1,"#Audiomovers OMNIBUS 3.0":1,"#Please do not use a disposable email address.":1,"#3 Feb 2023":1,"#25 Apr 2023":1,"#A demo license for Binaural Renderer has been added to your account.":1,"#Download the latest version of OMNIBUS 3.0 below.":1,"#Download the right version of OMNIBUS 3.0 for your machine below. <a ljsid-1=\"\">View license details</a>.":1,"#Incorporating USB audio devices into your music production and recording workflow has never been easier thanks to INJECT. By following the simple steps outlined in this article, you can seamlessly interrogate USB microphones and USB synthesizers into your DAW without needing to switch your preferred playback engine or dealing with troublesome I/O limitations.":1,"#INJECT provides a straightforward solution for utilizing multiple USB audio devices, allowing you to bring external audio sources directly into your sessions with ease and flexibility. Enhance your creativity and streamline your workflow with INJECT today.":1,"#Software":1,"#“It’s in there somewhere but the key is to not give up” – F. Reid Shippen #MixTricks":1,"#There are no plans available.":1,"#Dutch - Nederlands":1,"#Danish - dansk":1,"#Croatian - hrvatski":1,"#Chinese - 中文（简体中文）":1,"#Catalan - català":1,"#Select to translate":1,"#Double-click":1,"#Swedish - svenska":1,"#Serbian - Српски":1,"#Russian - русский":1,"#Portuguese - português":1,"#Basque - euskara":1,"#Polish - polski":1,"#Persian - ‎‫فارسی‬‎":1,"#Norwegian - norsk":1,"#Maltese - Malti":1,"#Malay - Bahasa Melayu":1,"#Latin - Lingua Latina":1,"#Japanese - 日本語":1,"#Italian - italiano":1,"#Irish - Gaeilge":1,"#Indonesian - Bahasa Indonesia":1,"#Albanian - shqipe":1,"#Hungarian - magyar":1,"#Hebrew - ‎‫עברית‬‎":1,"#German - Deutsch":1,"#Galician - galego":1,"#French - français":1,"#Finnish - suomi":1,"#Estonian - eesti":1,"#Afrikaans":1,"#translator":1,"#When you plug your iPad/iPhone into your Mac and go to audio MIDI setup, it will appear in the audio device list with a 'enable' button next to it. Click on enable and INJECT will now be able to utilise your iPad/iPhone as an audio device.":1,"#Full license INJECT":1,"#No email given":1,"#English":1,"#Expiry date: 11/2028":1,"#We’ve updated LISTENTO with new features. Here’s what you need to know.":1,"#If you’re a user of Cubase 12, you’re in luck.":1,"#It seems that you are using a web browser that doesn't support all the functions. We recommend using Chrome or Firefox for better experience":1,"#Authorization failed":1,"#OMNIBUS 3.0 software is non-refundable, once purchased.":1,"#Listento Pro license for trial period":1,"#Use the Default for all websites drop-down menu to select how you want Firefox to handle media autoplay for all websites.":1,"#To always allow or block autoplay for all media with audio or video:":1,"#1. Always allow or block media autoplay":1,"#Note: Changing the status to your default setting, the website will be removed from the list after you save the changes.":1,"#3. Find Autoplay and click the Settings button.":1,"#Select the Privacy & Security panel and go down to the Permissions section (or enter autoplay in the Find in Settings search box).":1,"#In the Menu bar at the top of the screen, click Firefox and select Preferences.":1,"#Your autoplay settings list will show any website permissions you have set that do not follow your default settings. To view or manage autoplay site settings:":1,"#Autoplay site settings list":1,"#Note: You can also change the Autoplay setting for a website from the Page Info window Permissions panel (uncheck Use Default under Autoplay and select a different setting).":1,"#2. Site Settings":1,"#The setting you select will apply to all media for all websites, except for specific autoplay site settings.":1,"#Charged straight away.":1,"#One-off payment.":1,"#We caught up with producer, songwriter and mixer Phil Gornell to learn more about how he completed an entire album remotely during the pandemic.":1,"#25 Nov 2021":1,"#Transmitting audio":1,"#7.3.4. depicts sexually explicit images;":1,"#7.3.3. facilitates illegal activity;":1,"#7.3.2. is unlawful, harmful, threatening, defamatory, obscene, infringing, harassing or racially or ethnically offensive;":1,"#7.3.1. infringes the intellectual property rights of any third party;":1,"#7.3. You shall not create, stream, access, store, distribute or transmit any viruses, or any material during the course of your use of the Software that:":1,"#7.2.3 each Authorised User shall keep a secure password for their use of the Software, that such password shall be changed periodically and each Authorised User shall keep their password confidential.":1,"#7.2.2. you will not allow or suffer any Access Passes to be used by more than one individual Authorised User. You acknowledge that we may charge additional Licence Fees for any breach of this condition; and":1,"#7.2.1. the maximum number of Authorised Users that it authorises to access and use the Software shall not exceed the number of Access Passes you have purchased from time to time. You acknowledge that we may charge additional Licence Fees for any breach of this condition;":1,"#7.2. In relation to the Authorised Users, you undertake that:":1,"#4.5. We reserve the right to restrict or remove any Trial Subscription at any time, including if we have reasonable grounds to believe that you or someone in your household has previously signed up for a Trial Subscription.":1,"#4.4. Trials Subscriptions are limited to one per household.":1,"#3.7 Our payments provider processes all subscription payments between 00:00 and 04:00 UTC.":1,"#for perpetual licences, will be perpetual.":1,"#for time limited subscriptions (such as monthly or annual subscriptions) will be automatically extended for successive periods of the same length unless you cancel your Subscription (see conditions 2.4 and 12 for further details); and":1,"#2.2.1. the duration of the Subscription you have selected (the “Subscription Term”), which:":1,"#12.4.6. For the avoidance of doubt, no refunds shall be made in respect of Subscriptions cancelled part-way through the Subscription Term or in respect of Subscriptions which you have automatically renewed and you have not cancelled in accordance with this condition 12.":1,"#12.4.5. If you have purchased an annual Subscription and cancel part-way through the Subscription Term, you will continue to have access to the Software until the end of the then current Subscription Term when your access will cease. No refund will be made in respect of the then current Subscription Term,":1,"#(f. any special, indirect or consequential loss, damage, charges or expenses (including without limitation loss or damage of the types set out in condition 11.4.2(a) to condition 11.4.2e).":1,"#11.4.1. We only supply the Software for internal use by your business, and you agree not to use the Software for any re-sale purposes":1,"#10.5 In respect of Software sold subject to a perpetual licence, we make no guarantee that the Software will continue to be maintained and/or supported.":1,"#v1.06 | Last updated 17th June 2024":1,"#Dolby and the double-D symbol are registered trademarks of Dolby Laboratories Licensing Corporation. All other trademarks remain the property of their respective owners. © 2023 Dolby Laboratories, Inc. All rights reserved.":1,"#Apple, Apple Music, the Apple logo, Apple TV, iPad, iPhone, iPod touch, iTunes, Apple AirPods (3rd generation), AirPods Pro or AirPods Max and Mac are trademarks of Apple Inc., registered in the U.S. and other countries and regions. Copyright © 2023 Apple Inc. All rights reserved.":1,"#Audiomovers Binaural Renderer for Apple Music is solely a product of Audiomovers, and not created or endorsed by Apple Inc.":1,"#Audiomovers Binaural Renderer for Apple Music":1,"#Peter Deutsch":1,"#Altered source versions must be plainly marked as such, and must not be misrepresented as being the original software.":1,"#The origin of this software must not be misrepresented; you must not claim that you wrote the original software. If you use this software in a product, an acknowledgment in the product documentation would be appreciated but is not required.":1,"#This notice may not be removed or altered from any source distribution.":1,"#Altered source versions must be plainly marked as such, and must not be misrepresented as being the original source code.":1,"#This source code is provided ‘as-is’, without any express or implied warranty. In no event will the author be held liable for any damages arising from the use of this software. Permission is granted to anyone to use this software for any purpose, including commercial applications, and to alter it and redistribute it freely, subject to the following restrictions:The origin of this source code must not be misrepresented; you must not claim that you wrote the original source code. If you use this source code in a product, an acknowledgment in the product documentation would be appreciated but is not required.":1,"#16.7 This Licence constitutes the entire agreement between us relating to the Software. Where we agree separate terms in writing, such terms will only override the terms of this Licence where such terms are expressly stated as overriding the terms of this Licence and are signed by an authorised representative of Virgin Records Limited.":1,"#“I love pieces of kit that make my life easier” – Jeff Braun #NerdingOut":1,"#“I do a lot of AAA mastering – it’s fun but expensive” – Pete Lyman | #NerdingOut":1,"#K-pop songwriter, 1/2 of ‘LYRE MUSIC GROUP’ and record producer Alina Smith outlines how she collaborates with other songwriters and producers across the world using a combination of Zoom and the LISTENTO plugin.":1,"#14 Oct 2022":1,"#Conclusion":1,"#Rock band Elbow discuss how they used the process for their ninth studio album to experiment with new recording and songwriting methods.":1,"#Remote reinvention: how new methods helped Elbow relocate their mojo":1,"#With a 35-year legacy built on writing and producing some of the biggest ’80s hits and kickstarting the career of Janet Jackson, ex-members of The Time, Jimmy Jam and Terry Lewis discuss their exploration of new sounds and technologies for the creation of what is incredibly their debut album ‘Jam & Lewis: Volume One’.":1,"#How the legendary super-duo Jam & Lewis finally created their debut solo album":1,"#Get in touch":1,"#Request a new password reset link":1,"#Invalid or expired link. Your password has not been changed.":1,"#LYRE MUSIC on collaborating remotely with songwriters and producers":1,"#Maximizing Quality: Tips for Remote Music Collaboration":1,"#We’ve teamed up with Abbey Road Studios’ head of audio products Mirek Stiles to give you a step-by-step guide on how you can use the OMNIBUS app to sample audio straight into your DAW.":1,"#In this conversation, Chuck reveals how a personal recommendation from Nashville steel player Paul Franklin helped him land the dream gig of working with Dire Straits.":1,"#Please complete all required fields.":1,"#<b ljsid-0=\"\">Boost Software Licence</b> – Version 1.0 – August 17th, 2003 Permission is hereby granted, free of charge, to any person or organization obtaining a copy of the software and accompanying documentation covered by this licence (the “Software”) to use, reproduce, display, distribute, execute, and transmit the Software, and to prepare derivative works of the Software, and to permit third-parties to whom the Software is furnished to do so, all subject to the following: The copyright notices in the Software and this entire statement, including the above licence grant, this restriction and the following disclaimer, must be included in all copies of the Software, in whole or in part, and all derivative works of the Software, unless such copies or derivative works are solely in the form of machine-executable object code generated by a source language processor. THE SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, TITLE AND NON-INFRINGEMENT. IN NO EVENT SHALL THE COPYRIGHT HOLDERS OR ANYONE DISTRIBUTING THE SOFTWARE BE LIABLE FOR ANY DAMAGES OR OTHER LIABILITY, WHETHER IN CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.":1,"#The article breaks down INJECT, its functionality, features and the various ways you can use it to streamline your music production workflow.":1,"#Product Update: LISTENTO now supports Cubase 12":1,"#Long gone are the days of having to squeeze multiple people into the same room or studio to jam or lay down a new track together. Like with most things in life, the internet has transformed music collaboration.":1,"#OMNIBUS can handle even the most complex routing scenarios with ease, and makes networking audio easier than ever before.":1,"#In recent years, we’ve seen the rise of music producers live streaming on platforms such as Twitch and YouTube. Artists like Kenny Beats, Disclosure, and Ian Kirkpatrick regularly share educational and entertaining live streams that delve into their writing and music production processes.":1,"#Nothing herein is intended to convey to you any patent, trademark, copyright, trade secret or other intellectual property owned by NDI or its licensors in the SDK or in any NDI software, hardware, products, trade names, or trademarks. NDI and its suppliers or licensors shall retain all right, title, and interest to the foregoing intellectual property and to the SDK. All rights pertaining to the SDK not expressly granted herein are reserved by NDI.":1,"#NEITHER NDI NOR ITS SUPPLIERS OR LICENSORS SHALL BE LIABLE FOR ANY INDIRECT, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES OR LOSS (INCLUDING DAMAGES FOR LOSS OF BUSINESS, LOSS OF PROFITS, OR THE LIKE), ARISING OUT OF THIS LICENSE WHETHER BASED ON BREACH OF CONTRACT, TORT (INCLUDING NEGLIGENCE), STRICT LIABILITY, PRODUCT LIABILITY OR OTHERWISE, EVEN IF NDI OR ITS REPRESENTATIVES HAVE BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.":1,"#THE SDK IS PROVIDED TO YOU ON AN “AS IS” BASIS AND “WITH ALL FAULTS”, WITHOUT ANY TECHNICAL SUPPORT OR WARRANTY OF ANY KIND FROM NDI. YOU ASSUME ALL RISKS THAT THE SDK IS SUITABLE OR ACCURATE FOR YOUR NEEDS AND YOUR USE OF THE SDK IS AT YOUR OWN DISCRETION AND RISK. NDI AND ITS LICENSORS DISCLAIM ALL EXPRESS AND IMPLIED WARRANTIES FOR THE SDK INCLUDING, WITHOUT LIMITATION, ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. ALSO, THERE IS NO WARRANTY OF NON-INFRINGEMENT, TITLE OR QUIET ENJOYMENT. SOME STATES DO NOT ALLOW THE EXCLUSION OF IMPLIED WARRANTIES, SO THE ABOVE EXCLUSION MAY NOT APPLY TO YOU. YOU MAY ALSO HAVE OTHER LEGAL RIGHTS THAT VARY FROM STATE TO STATE.":1,"#You shall: (i) not modify the entire NDI® Software Development Kit (“SDK”) or any part thereof, (ii) not reverse engineer, disassemble or recompile the SDK or any part thereof, or any protocols used in the SDK, or attempt to do so; and (iii) comply fully with all relevant export laws and regulations of the United States to assure that the Software or any part thereof is not exported, directly or indirectly, in violation of United States law.":1,"#NDI® Software Development Kit (SDK) License Agreement licensed by Vizrt NDI AB (“NDI”)":1,"#How an Abbey Road mastering engineer REALLY gets client feedback":1,"#How to easily sample music":1,"#When streaming audio to another device over the internet, you want the experience to be as close as possible to playing audio in-person.":1,"#Low Latency Audio Streaming Made Simple":1,"#1 of 3 activations remaining":1,"#Mix with the Masters | Mixing Summit with Jaycen Joshua":1,"#8.4 In respect of the Software we make available as the “Audiomovers Binaural Renderer for Apple Music”, this Software is solely our product and not created or endorsed by Apple Inc.":1,"#7.4. You agree not to take any action which imposes an unreasonable or disproportionately large load on the Software’s infrastructure. In addition and without prejudice to the foregoing, you agree to comply with any acceptable use policy published by us from time to time.":1,"#7.3.7. is otherwise illegal or causes damage or injury to any person or property;":1,"#7.3.6. is discriminatory based on race, gender, colour, religious belief, sexual orientation, disability; or":1,"#7.3.5. promotes unlawful violence;":1},"version":20952}]