[{"_id":"project-settings","settings":{"translateMetaTags":true,"translateAriaLabels":true,"translateTitle":true,"showWidget":true,"isFeedbackEnabled":false,"fv":1,"customWidget":{"theme":"custom","font":"rgb(0, 0, 0)","header":"rgb(9, 129, 240)","background":"rgba(9, 129, 240,1)","position":"right","positionVertical":"bottom","border":"rgb(255, 255, 255)","borderRequired":false,"widgetCompact":true,"isWidgetPositionRelative":false},"widgetLanguages":[{"code":"ja","name":"日本語"}],"activeLanguages":{"es-LA":"Español (América Latina)","pt-BR":"Português (Brasil)","ja":"日本語","en":"English"},"enabledLanguages":["en","es-LA","ja","pt-BR"],"debugInfo":false,"displayBranding":true,"displayBrandingName":true,"localizeImages":false,"localizeUrls":false,"localizeImagesLimit":false,"localizeUrlsLimit":true,"localizeAudio":false,"localizeAudioLimit":false,"localizeDates":false,"disabledPages":[],"regexPhrases":[],"allowComplexCssSelectors":false,"blockedClasses":false,"blockedIds":false,"phraseDetection":true,"customDomainSettings":[],"seoSetting":[],"translateSource":false,"overage":false,"detectPhraseFromAllLanguage":false,"googleAnalytics":false,"mixpanel":false,"heap":false,"disableDateLocalization":false,"ignoreCurrencyInTranslation":false,"blockedComplexSelectors":[]},"version":21793},{"_id":"en","source":"en","pluralFn":"return n != 1 ? 1 : 0;","pluralForm":2,"dictionary":{},"version":21793},{"_id":"outdated","outdated":{"#4 May 2024":1,"#Expiry date: 12/2024":1,"#15 Nov 2022":1,"#19 Jun 2021":1,"#15 Mar 2021":1,"#1 Jul 2024":1,"#3 Mar 2021":1,"#3 May 2024":1,"#11 Mar 2024":1,"#11 Apr 2023":1,"#11 Jun 2023":1,"#23 Jul 2022":1,"#24 Sep 2021":1,"#1 Oct 2021":1,"#11 Aug 2023":1,"#8 Oct 2024":1,"#4 Apr 2024":1,"#11 Oct 2022":1,"#11 May 2023":1,"#11 Nov 2023":1,"#13 Feb 2024":1,"#11 Jan 2024":1,"#The compressor was brought in from America to be used as an automatic volume-control device. Finding it not quite up to their high standards, the technical engineers at Abbey Road redesigned it. The new design was called the EMI RS124. Just a few dozen were made, and only a very small number survive today.":1,"#Other web browsers will work, but haven’t been fully tested.":1,"#Other hosts will likely work but haven’t been fully tested.":1,"#3 Mar 2023":1,"#4 Apr 2021":1,"#11 Apr 2024":1,"#11 Dec 2022":1,"#11 Nov 2022":1,"#Expiry date: 08/2030":1,"#11 Jan 2023":1,"#11 Feb 2023":1,"#11 Dec 2023":1,"#It offers an intuitive interface and streamlines the audio routing workflow, making it accessible for all users, from beginners and absolute professionals.":1,"#OMNIBUS is a software solution for seamless audio routing within your Mac. It allows you to route between applications and hardware inputs and outputs, split audio from one source to several destinations for easy A/B, combine audio input devices for DAW outputs and quickly sample audio from various sources.":1,"#Why use OMNIBUS with OBS?":1,"#Thanks to our newly updated OMNIBUS tool, it has never been easier to live stream audio from multiple applications using OBS. Below we break down how you can use OMNIBUS in conjunction with OBS when live-streaming sessions to an audience.":1,"#However, setting up your live stream can be a complicated process. Most opt for OBS (Open Broadcaster Software), a free, open-source software for video recording and live streaming.":1,"#Live streaming is an incredible way for artists, producers and engineers to create secondary revenue streams, and establish and nurture their online fan bases. It can also provide them with the opportunity to learn new skills, techniques and workflow hacks.":1,"#Once you’re happy with your setup, you can go back into OMNIBUS and save this routing configuration for later use.":1,"#Before you start streaming, it’s good practice to test out your stream. Simply start recording and pass some audio from your daw and your microphone. Now play this video back and see whether the audio is being recorded.":1,"#7. Now we’ve got our DAW’s audio and mic’s audio we’re now ready to start streaming or screen recording.":1,"#As this is a mono channel, however, you will notice on the input level for our mic in OBS that it is only capturing audio from the left channel. We’ve selected a mono signal and OBS is thinking it’s a stereo input. To amend this, simply navigate to advanced audio properties in your audio capture device for your microphone OBS and navigate to the mic input capture you created and change it from stereo to mono.":1,"#If you have a USB audio microphone such as a Snowball mic, you could select this right here. However, for this example I have a microphone plugged into my audio interface that I wish to use as my commentary microphone. All I need to do is route channel 1 from my audio interface into OMNIBUS C channel 1.":1,"#6. Let’s repeat the same steps as before in OBS and set up an audio capture device but this time, let’s use OMNIBUS C.":1,"#If you’re just starting and don’t have a microphone yet you could always use your computer’s built-in microphone.":1,"#5. Now, let’s set up a microphone to use for our video commentary. As OMNIBUS 2.0 supports hardware inputs, we can utilise any channel from any of our hardware inputs and route them through OMNIBUS to another designated input for OBS. Doing this will allow you to adjust the levels between your microphone and your DAW audio.":1,"#3. In OBS, set up an audio input capture and assign it to one of the OMNIBUS drivers, here we’ve got it set to OMNIBUS A channels 1&2 as we’re only sending our stereo masters output to OBS.":1,"#2. Before moving to OBS, you’ll first need to route your DAW’s audio to your designated monitor output so that you can hear your DAW. Simply drag channels 1 and 2 from OMNIBUS B to your chosen monitor output. In this case, a UAD Apollo interface.":1,"#1. Set your DAW’s playback engine as one of OMNIBUS’ virtual drivers so that your DAW’s output will be travelling through the OMNIBUS application. For this example, we are using OMNIBUS B.":1,"#For this example of using OMNIBUS and OBS, we are using the DAW Logic Pro. The same logic will also apply to your DAW of choice.":1,"#OMNIBUS & OBS in action: How to live stream a music production session":1,"#Let’s see how OMNIBUS makes capturing application audio easy with OBS.":1,"#OMNIBUS has an easy-to-use routing matrix, allowing you to simply click the connections between devices you want to make. It also allows you to save and recall complex routing setups with ‘snapshots’, which you can label for ease of finding in future and also has precise metering and support for hardware inputs and outputs meaning it can adapt to even the most demanding scenarios.":1,"#ALL EPISODES":1,"#here":1,"#毎週":1,"#Click track:":1,"#17 Oct 2024":1,"#“OMNIBUS makes complex audio routing easy whether you’re an audio professional or enthusiast. Now with OMNIBUS 2.0, there is hardware input support and a new and much-improved user interface for greater flexibility. “":1,"#It seems that you're using a mobile browser that doesn't support all functions. We recommend using Chrome or Firefox on desktop, for best experience.":1,"#11 Nov 2021":1,"#27 Oct 2022":1,"#17 Jul 2024":1,"#2 Sep 2023":1,"#14 Oct 2021":1,"#Invalid or expired link. Your account has not been confirmed. Please check your email for your confirmation link or request a new one below.":1,"#Adjust latency from 0.1s and stream bit rate for ultimate stability":1,"#What’s LISTENTO?":1,"#In addition, all existing Pro Tools subscribers will be offered 25% off either a LISTENTO Basic or LISTENTO Pro annual subscription.":1,"#The offer to any new Avid Pro Tools Subscribers is twofold:":1,"#Stream 16-channel multichannel audio, or spatial up to 7.1.4":1,"#Stream audio in real-time from Pro Tools in up to 32-bit PCM/96 kHz quality":1,"#Whether mixing hip hop or recording orchestral sessions for major motion pictures, Pro Tools and LISTENTO have become essential parts of the audio engineer’s workflow for rapid client feedback.":1,"#Those who opt for Pro Tools Studio will receive a free year of LISTENTO Basic, while those who opt for Pro Tools Ultimate will receive a free year of LISTENTO Pro.":1,"#Listen to the stream via a link – open in your web browser, on your phone, or in Pro Tools via Receiver plugin":1,"#LISTENTO from Audiomovers is a remote collaboration plugin that allows users to share uncompressed audio straight from the DAW. Users create and share links with clients or collaborators, which can then be opened in the DAW, in a web browser window, or on Audiomovers’ own apps for iOS and Android.":1,"#3 Feb 2023":1,"#Download the latest version of INJECT below.":1,"#Download the right version of INJECT for your machine below. View license details.":1,"#4 Nov 2024":1,"#Audiomovers OMNIBUS 3.0":1,"#Please do not use a disposable email address.":1,"#View plans":1,"#However, there may be other plans you can upgrade to.":1,"#Plan unavailable.":1,"#17 Sep 2024":1,"#Software":1,"#Full license INJECT":1,"#Julian Rodgers – Editor of Production Expert – explores five use cases he discovered in his studio for OMNIBUS 3.0.":1,"#Expiry date: 11/2028":1,"#No email given":1,"#25 Nov 2021":1,"#9 Oct 2021":1,"#Expiry date: 09/2027":1,"#1 of 150":1,"#It seems that you are using a web browser that doesn't support all the functions. We recommend using Chrome or Firefox for better experience":1,"#If you would still like to reset your password, please enter a new one below.":1,"#You are currently logged in. If you change your password you will be logged out and need to log back in again using the new password.":1,"#GET STARTED":1,"#Session Name. Stop streaming to change":1,"#Stop Streaming":1,"#How to record audio remotely, from podcasts to music":1,"#Check your inbox for your confirmation email, click the link to activate your account.":1,"#undefined":1,"#Tu opinión servirá para ayudar a mejorar el Traductor de Google":1,"#Valora esta traducción":1,"#3 of 5 activations remaining":1,"#Buena traducción":1,"#Mala traducción":1,"#1 of 3 activations remaining":1,"#Sound on Sound":1,"#How many authorisations are there for perpetual licences?":1,"#The required password field is missing or blank.":1,"#****** UTF8 Validation logic (utf8_validation.hpp) ****** utf8_validation.hpp is adapted from code originally written by Bjoern Hoehrmann . See http://bjoern.hoehrmann.de/utf-8/decoder/dfa/ for details.":1,"#Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:":1,"#Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the “Software”), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicence, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:":1,"#Curl – COPYRIGHT AND PERMISSION NOTICE":1,"#[*] Delete as appropriate":1,"#17.2.2. if you reside in the EU, the European Commission provides for an online dispute resolution platform, which you can access here: https://ec.europa.eu/consumers/odr. We will not charge you for making a complaint and if you are not satisfied with the outcome you can still bring legal proceedings.":1,"#Audiomovers for Education":1,"#BINAURAL RENDERER":1,"#Audio Media International":1,"#asd":1,"#JSON – Copyright (c) 2002 JSON.org":1,"#Yes you can, there’s a view window with a number of scaling options from 200% - 75%.":1,"#Music Radar":1,"#Upgrade Subscription":1,"#Windows OS":1,"#First month":1,"#Five ways OMNIBUS 3.0 will change your workflow":1,"#Voucher":1,"#Production Expert":1,"#Demo":1,"#Audiomovers for Business":1,"#Binaural Renderer for Apple Music":1,"#–":1,"#Abbey Road Studios":1,"#– Pro Tools 2023.6+, Logic Pro 10.7+, Nuendo 11.0.3+, Cubase Pro 12+, Reaper 6.66+":1,"#We explore various use cases for OMNIBUS and provide a detailed, step-by-step guide to integrating this powerful tool into your audio projects.":1,"#教育":1,"#入門":1,"#Audiomovers introduce OMNIBUS 3.0 with enhanced networking capabilities and a new UI.":1,"#OMNIBUS 3.0":1,"#Omnibus 3.0":1},"version":21793}]